Arts & Entertainment

No, “Chop Suey Fonts” Are Not Racist

/ Jack Marshall / 8 Comments

This dispatch from The Great Stupid raises the question, “How stupid can the Great Stupid get before a critical mass of the public says, “Hey! This stuff is stupid!“? But we will leave that one for another day.

It also raises the question, “How does one correctly regard what CNN says and publishes?” We know now that the network cares not a whit about journalism, nor facts, nor objective analysis, not integrity. So when it comes out with something like this idiocy, complaining about “racist fonts,” what is the ethical response? It’s click-bait, so there is no way to determine whether anyone, even the author, believes what the article says. If the author does believe it, he or she (it’s a she this time) is obviously a victim of the dreaded “political correctness ate my brain” pandemic, so why pay any more attention to what she writes about fonts than if she had ranted on about Republican beetle larvae burrowing into her brain?

Musing about this article, Matt Margolies says, “The question of whether fonts can actually be racist is obviously a sign that true, legitimate racism is so hard to find that we actually have to make everything inherently racist just to have something to complain about.” Well, yes, except that the Left is in the process of re-defining racism to mean “anything said or done in America or by Americans, unless it is said or done by an African American or another Perpetual Victim of Color (PVC).”

Ann Quito, the author, argues that type fonts that attempt to evoke or reference another culture or locale like this…

and, though she doesn’t mention it, this (African)…

..and surely this (Hebrew)…

and if anybody cared about what they thought, this…

Then there’s this one, of course,

and the “Mexican” font:

…smack of racism. To be fair, the article never exactly says the fonts are racist or objectively offensive, though it does have this classic junk: Continue reading →

Remembering Arturo Di Modica, The Artistic Ethics Train Wreck

/ Jack Marshall / Leave a comment

Talented and bold artist? Shameless self-promoter? Hypocrite? Unethical jerk? Arturo Di Modica, the Sicilian-born sculptor who died earlier this year was all of these. He was also a one-man ethics train wreck.

In mid-December of 1989, the artist illegally dropped his “Charging Bull,” a 3.5 ton bronze sculpture (that’s a similar model he had mounted in China above), in Lower Manhattan one night in 1989. He claimed it was a gift to his adopted country, the United States, urging courage and defiance after its 1988 financial collapse. Maybe. Or he just wanted to grandstand and get publicity. Either way, you cannot put a giant statue in a public place without permission, permits, owning the property involved, little things like that.

This was a planned crime. Di Modica spent weeks prowling the Wall Street area after midnight, noting when and where police officers walked by. He had about forty accomplices waiting at around 1 a.m. when he loaded his sculpture onto a flatbed truck and drove to Broad Street, next to the Stock Exchange. But it was nearing Christmas, and the Stock Exchange had put up a huge Christmas tree where he had planned to drop “Charging Bull.”

So he put it under the tree.

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Ethics Potpourri, 4/5/2021, Including, I Blush To Say, An Easter Weekend Lap-Dance for God

/ Jack Marshall / 13 Comments

I hate potpourri.

1. Amateur poetry ethics. This has annoyed me for a long, long time. Althouse posted a notice from a local restaurant requiring patrons to wear masks. The thing suddenly devolves into verse, and in writing that, I am being generous. Here’s a sample:

I’ve been listening to and reading crap like that since I was ten, and when I was ten, I wrote better light verse by far. Since then, I’ve written song parodies and light verse for fun and profit, and still do. It’s a skill. It takes practice, and it requires care and detail, like most tasks. OK, I know that today’s nearly useless schools don’t teach little things like rhyme, meter and the basics of verse, but if you don’t know how to do something competently, don’t do it. Is this supposed to be a Dr. Seuss parody? I can’t tell, and the first rule of parodies is that they must clearly be parodies. Dr. Seuss has famous style and meter, and this whatever it is doesn’t match it. The problem is that people who author embarrassing junk like this don’t know they are incompetent. They think everyone will think they are clever, but anyone who regard something like this—that presents “forget” and “respect”as rhymes, for example— is clever is illiterate.

2. It takes one to know one. On ABC’s “This Week,” yesterday, former NJ Governor and once-rising GOP star Chris Christie correctly characterized the Democratic attacks on the Georgia voting reform law. “It expands early voting, George, and the president said it ended it. Listen, here’s what Joe Biden’s got to live with when he wakes up this morning on Easter morning. He is doing exactly what he sat around in the campaign and the transition and accused Donald Trump of doing,” Christie said. “He is lying to cause racial divisions in this country. That’s what he accused Donald Trump of doing, and he’s a liar and a hypocrite.”

Yes he is, but who cares what Chris Christie thinks? He’s also a liar and a hypocrite; he has no followers outside of his family, and he sold his integrity to grease Donald Trump’s route to the Republican nomination. This is another example of the unethical media practice of choosing a revolting advocate for the position a news organization wants to discredit. It’s Cognitive Dissonance Scale manipulation 101: make sure the “authority” opposing the dishonest Democratic talking point is widely regarded as toxic jerk.

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Saturday Ethics End Notes, 4/3/2021: “Let it be written, let it be done!”

/ Jack Marshall / 15 Comments

You can’t blame me for featuring this ethics landmark today: On April 3, 1948, President Truman signed the Economic Assistance Act, commonly known as the Marshall Plan, which authorizing the a program to help the nations of a war-torn Europe to rebuild. The effort was designed to stabilize Europe economically and politically so that the Soviet Union would not be able to spread communism further. U.S. Secretary of State George C. Marshall gave the plan its name with a speech at Harvard University on June 5 of the previous year. He proposed that the European states meet to agree on a program for economic recovery, and that the U.S. would would help fund it. The same month Britain and France invited European nations to send representatives to Paris to follow-through with Marshall’s formula. The USSR, Hungary, Czechoslovakia and Poland declined the invitation. The resulting Committee of European Economic Cooperation eventually presented its plan to Congress, which authorized the “Marshall Plan” on April 2, 1948. The next day, it was signed into law.

  1. It’s that time again! The Cecil B. DeMille classic “The Ten Commandments” airs at 7 p.m. tonight on ABC. I recommend renting it for a few bucks on Amazon Prime: commercials now add a full hour to the movie, which is already one of the longest U.S. films ever made. I watch the 1956 jaw-dropper at least once every year. No movie ever blew my mind like that one did when I saw it as a child, and, I noted with amazement last week when I watched it again, certain scenes still blow my mind now, like the Exodus, easily the greatest crowd scene that ever had been or ever will be. My top ethics notes:
  • The screenplay’s direct condemnation of slavery in Moses’ early speech is remarkable for the period, and gutsy for the most expensive movie ever made (to that point) that needed big audiences from the old Confederate states during the middle of a growing civil rights movement.
  • Like Ted Williams’ home run in his last at bat, DeMille bet everything on his biggest challenge at the end of his career when he had already made Hollywood history and was a living legend….and he succeeded. I admit, I’m a sucker for that. The movie killed him, essentially: CB suffered a heart attack while directing the huge scene where Moses leads the Jews out of Egypt, and never recovered. I’m sure he’d say it was still worth it.
  • As a director, I have learned that the greatest and most frightening challenge is trying to top yourself. I admire the artists who attempt it, and especially those who succeed. DeMille had already made a silent movie version of the story that stood as the top-grossing film of all time until his own talkies broke its record.
  • I cannot think of a better example of the ethical principle that if you are going to do something that matters, do it right and don’t cut corners. Like David O. Selznick’s “Gone With The Wind,” TTC is filled with astounding grace notes and details that are the mark of a perfectionist. On this week’s viewing, I noticed for the first time that when we see Egyptian princess Nefertiri primping in a mirror, her image is dark and indistinct. That’s because glass mirrors were unknown in ancient Egypt: the mirror is polished metal.
  • The 1957 Oscars , which largely snubbed De Mille’s masterpiece, show how bias makes you stupid, and how little the movie community understands its own medium. “The Ten Commandments” was the movie of the year and everyone knew it: it was the top grossing film and had scenes that were immediately recognizable as likely to become legendary (like the parting of the Red Sea.) But most of the Oscars, including Best Picture, went to “Around the World in 80 Days,” the over-stuffed “spectacular”—unwatchable now— made by industry darling Mike Todd. DeMille didn’t even rate a Best Director nomination. He was considered a conservative pariah and a dinosaur, and the “new Hollywood” wouldn’t bring itself to recognize an old pro doing his best work.

2. And now, speaking for the arrogant, biased, not as smart as they think they are people who lie to you daily, Lester Holt! At the 45th Edward R. Murrow Symposium at Washington State University, Holt received the Lifetime Achievement Award from the Edward R. Murrow College of Communication, presumably because they had to find a black journalist to give the thing to. Among his comments, which generally proved the stunning lack of self-awareness of himself and his industry, he said, .

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Comment Of The Day: “Post-Zoom Hangover Ethics, 3-31-21….” (Item #3: Sliming Gina Carano)

/ Jack Marshall / 4 Comments

Humble Talent provides a perceptive take on the Disney-Gina Carano debacle, just another small piece in the rapidly developing mosaic of of corporate alliance with the purveyors of aspiring woke mind and speech control. I first wrote about the episode here. My suspicion is that the Arrogant Left is wildly overplaying its hand (as it did against Donald Trump: the pandemic rescued them, but they think it’s because they were brilliant, as undeservedly lucky people always do.)

Here is HT’s Comment of the Day on item #3 in the post, “Post-Zoom Hangover Ethics, 3-31-21…”,in response to a comment by E2. Normally I would have a bit of the comment up before the jump, but now WordPress’s inexcusably clumsy “block” system won’t let me do that, at least not easily. Don’t let that stop you: it’s a great comment.

E2 wrote ,“Gina Carano appears to be among the 1/100th of 1% of Americans who know some history. Nazism, World War II, the Holocaust shaped our world — and still is — and to call out totalitarianism of any kind is worthy of praise, not ridicule by a bunch of IQ-80 leftists.”

Kind of. Carano actually retweeted someone who said that, she didn’t write the words herself. She’s given interviews after this whole debacle happened, and what I get from them is that she was actually kind of politically naïve, and provides a case study in how the left pushes people away.

The first landmine she stepped on was following a bunch of Twitter people getting very upset that she didn’t have pronouns in her bio. I want to point out that this is yet another example of mandate creep; these things always start out with “why are you making fun of the things I’m doing, they don’t effect you” and end with “if you don’t also do this thing I’m doing, you’re a bigot.” Carano did what I probably would have, from the safety of my relative online anonymity: She added “beep/bop/boop” as pronouns as a middle finger to them, as opposed to a “fuck you” to internet busybodies, so it was determined that she was mocking pronouns in bios! So she was officially branded a transphobe.

It went downhill from there, Disney’s corporate HR/PR engine took over; they wanted to subject her to struggle sessions, they went back and forth over what her apology was going to look like, and it was all very Orwellian. It would have been interesting instead if Disney had taken a moment to step back and understand that they were dealing with a person. But they didn’t. There were people angry on Twitter, and even though Disney’s main demographic isn’t on Twitter, and even though they were joyfully touching penises with Chinese dictators, and even though Gwyneth Paltrow (Pepper Potts) has literally killed people with Goop, they decided THIS was where they were going to make a stand and signal their virtue with the force of 1000 stars!

Take a step back and consider: You’re under siege. You made a joke on Twitter, and all of a sudden your career is on the rails, people are constantly misinterpreting what you’re saying when they aren’t outright lying about you, do you think that builds a good impression of those people? Course not. So she started getting support from the right, because the right is actually pretty good at welcoming people the left seem to hate, and she started to post (Dun dun DUUUUUUUN!!!) right-leaning memes. Well! Now she’s an alt-right insurrectionist transphobe. Anti-Semitic too!

One of the memes was about the holocaust (The one mentioned above). So again, Disney, great and mighty arbiter of morality, who airbrushed John Boyega out of movie posters for China because they thought that Chinese audiences were too racist to watch a movie with a black lead, decided THAT was the last straw: a holocaust meme! How dare she! Not taking into account that Pedro Pascal had just posted his own meme comparing Trump’s Kids in Cages™ to Nazi death camps, Disney, in their fair minded and ultimate wisdom, fired Carano, cancelled her planned spinoff, took her action figure off toy store shelves, and then brushed their hands together and called it a job done.

And now…. Gina Carano is working with The Daily Wire’s new entertainment division. We’ll see how that pans out. Like I said: Case study in how the left pushes people away. The leftist political meat grinder took someone who wasn’t politically active, and put her on the Daily Wire.

 

The Entertainment Awards Catch-22

/ Jack Marshall / 8 Comments

They never had any integrity, but before the Great Stupid, they could at least pretend. That was good enough to serve the real purpose of such awards and their televised ceremonies. Now, since they can’t even pretend, the awards have no purpose, and increasingly, no audiences.

The Grammys were the latest televised awards show debacle. That show’s rating hit an all-time low, following similar results for the Golden Globes, the Emmys, the Academy Awards (with this year’s new low on the horizon), and nobody ever watched the Tonys anyway. This result was preordained as soon as the organizations sponsoring and running the various awards competitions, enthusiastically applauded by the woke news media, decided to make honoring minority , especially black, performers a new mission.

By doing so, the organizations were admitting that the awards were never objective assessments of quality in the first place. Of course they weren’t, but the contrary illusion was crucial to the commercial mission of such awards: to promote the product and its creators. Movies that win Oscars used to get a big bump in ticket sales. Songs that win Grammys are downloaded more. The individual artists gain prestige that helps their careers. All of this is dependent on consumers buying the myth that the awards, any of them, are reliable measures of quality, and especially superior quality.

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If A Saturday Ethics Warm-Up Posts And Nobody Reads It….3/27/2021

/ Jack Marshall / 43 Comments

Tree falls

Ah, Saturday! When about 12 people seem to be interested in ethics….when traffic falls off to a trickle here after noon…when it’s even more discouraging posting now than before the post 2020 election crash…when I get to read websites with hordes of visitors post about issues I posted on here days ago….when writing the blog seems even more futile and pointless that it usually does.

1 Here’s some good news…at least one Hollywood star knows her limitations. Aging sex-symbol and “Avengers” star Scarlett Johansson is apparently secure enough, brave enough or dumb enough to tell her colleagues, as they need to be told, “Shut up and act.” She said in interview with “The Gentlewoman,” a British magazine,

“I don’t think actors have obligations to have a public role in society Some people want to, but the idea that you’re obligated to because you’re in the public eye is unfair. You didn’t choose to be a politician, you’re an actor. Your job is to reflect our experience to ourselves; your job is to be a mirror for an audience, to be able to have an empathetic experience through art. That is what your job is. Whatever my political views are, all that stuff, I feel most successful when people can sit in a theater or at home and disappear into a story or a performance and see pieces of themselves, or are able to connect with themselves through this experience of watching this performance or story or interaction between actors or whatever it is. And they’re affected by it and they’re thinking about it, and they feel something. You know? They have an emotional reaction to it – good, bad, uncomfortable, validating, whatever.That’s my job. The other stuff is not my job.”

Thank-you. What she neglected to say was that shooting off their generally under-informed mouths about political matters actively undermines their jobs, thanks to the power of cognitive dissonance. For example, I literally cannot stand watching any film with Alec Baldwin or Robert De Niro in it at at this point. Their characterizations, no matter how well performed, are drowned out by their obnoxious public declarations.

2. As the Star-Tribune attempts to intimidate the Chauvin trial jurors.…the home town paper for the trial published this detailed set of profiles of the jurors, leaving all the cues necessary to doxx them. This just creates one more obstacle to a fair trial. The judge was asleep at the switch in handing out gag orders: with at least one potential juror dismissed because she was afraid of community reaction to a “not guilty” verdict, it was reversible error to allows this much information about the jury to get to the news media, which we know is both rooting for a guilty verdict and doing all it can think of to facilitate one.

The most recent Associated Press report on the case, like most mainstream media stories relating to Floyd, never mentions Floyd’s drugged-out condition, nor his Wuhan virus infection. He was killed by the knee of a racist white cop, and the only question in the trial is whether that racist cop will get the conviction he deserves. This is how most Americans understand the case.

Does the news media want riots?

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Song Ethics: Isn’t “Whitewashing” Just Covering A Song For A Different Audience?

/ Jack Marshall / 15 Comments

I usually don’t expect “Great Stupid”-style race-baiting from The History Channel, but today for some reason it alerted me that on this date in 1955 “Black music got whiter” with the release of Georgia Gibbs’ “Dance With Me Henry (Wallflower)” “setting off a dubious trend known as ‘whitewashing.'” This recording was a cleaned up version of Etta James risque song you can hear above. “Roll with me, Henry,” as the lyrics of that song went, essentially meant “Fuck me, Henry,” and they weren’t going to play that on mainstream AM radio stations in 1955. So producers bowdlerized the lyrics for pop singer Gibbs, who was, ugh!, white, and she had a hit:

Apparently there’s supposed to be something sinister about this, as if Gibbs was “stealing’ record sales from Etta James. Nonsense. Artists aiming at different audiences with covers of songs taking a different turn is called “commerce.”

Here’s a 1936 song by Rodgers and Hart that was favored by old fogies at the time..

…but only after the lyrics were changed…

Old Blue Eyes, before he was old, covered it later by jazzing it up…

But “Blue Moon” only became a mega-smash when it a lot of 50’s era gibberish was added and it came out like this:

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Morning Ethics Warm-Up I Expected Not To Get Posted In The Morning, 3/26/2021: “Ouch!” Edition

/ Jack Marshall / 11 Comments

Dentist

Therein lies a tale

I arrived at the appointed time for my triple tooth extraction to be told that I would be required to pay the entire cost of my surgery on the spot, and the amount was a cool $4000. This, despite the fact that I had been told (by the doctor) that I could wait before deciding on the various treatment options, and having not received clear (to me, at least) information that the office took no general medical coverage at all, just dental insurance, and my dental insurance was not among the blessed. (Raising the related issue of why my dentist would refer me to an oral surgeon who did not accept the insurance that the dentist did, without alerting me in advance. “We tried to call you,” the snotty desk staff said. Really? I had no messages on my home or office lines. “We only call our patients on their cell phones,” I was told. Then why do you ask for the other numbers? If you have essential information to convey, and you can’t reach a patient by cell, why wouldn’t you try the other contact options? Where on the form does it say that the only number you will use is the cell phone? I only included the cell number because it was asked for: I use cell phones when traveling, period, and during the lockdown it is usually uncharged. If I am going to be expected to hand over 4 grand on the spot, I need to be told, and the information I provided gave an easy means to tell me. What I suspect is that the 20-somethings behind the desk, living on their smart phones themselves, would never dream that anyone wouldn’t do the same. It wasn’t a policy, it was an unwarranted and incompetent assumption.

I informed the staff that its conduct was unethical and unprofessional, and that its attitude was arrogant and obnoxious. Then I walked out. I don’t care if the next oral surgeon costs as much or more: I don’t trust people who treat me like this. Screw ’em.

1. It’s a banner day in the history of “the ends justifies the means” medical ethics! On this date in 1953, American medical researcher Dr. Jonas Salk announced on national radio that he had successfully tested a vaccine against poliomyelitis, the virus that causes polio. Salk had conducted the first human trials of his vaccine on former polio patients, on himself, and his family. The general consensus among ethicists is that self-experimentation is ethical: as one scholarly paper put it, “Organizational uncertainty over the ethical and regulatory status of self-experimentation, and resulting fear of consequences is unjustified and may be blocking a route to human experiments that practicing scientists widely consider appropriate, and which historical precedent has shown is valuable.” But using one’s family as guinea pigs? Unethical, absolutely. The researcher, in this case Salk, has undue influence over such subjects, and consent cannot be said to be voluntary.

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Morning Ethics Warm-Up: Snap Out Of It!

/ Jack Marshall / 9 Comments

This morning, instead of the usual grainy 1930’s movies TCM usually shows before noon, it was featuring “Casablanca” for some reason. It’s a good thing, because the recent news had me heading for the bridge. As usual, the legendary singing duel at Ric’s between the Nazis and the French put me in a defiant mood, so I decided it was a good time to bring back the incredible Mirielle Mathiue and one of her signature performances of “La Marseillaise.” I’m a big fan of “The Star Spangled Banner,” but as inspiring national anthems go, this is the gold standard.

Now I feel better, and will at least until I finish this post.

1. You want racial conflict? This is how you get racial conflict. One benefit of the warm-up format is that I can write as little as possible about things that would make me up-chuck if I had to compose full posts about them. Following on the “systemic racism” myth, Oakland, California is launching a guaranteed income experiment called Oakland Resilient Families. 600 families in the city will receive $500-a-month payments over the next 18 months “to eliminate racial wealth inequalities.” Oakland’s guaranteed income program is only for low-income black, indigenous, and people of color, or BIPOC, families.

Whites cannot apply. If Oakland’s whites are poor, they have no excuses. They are just lazy, useless losers, I guess.

Families must apply online in the coming weeks and months in order to enter a pool of potential recipients, from which eligible families will be randomly selected to receive the cash payments.

I don’t have to explain what’s unethical about this, do I? Or what’s stupid about it? Or irresponsible?

In related news, a Kentucky mother is in custody on murder charges after her 2-year-old son overdosed on fentanyl while she slept. She had bought the drug with her stimulus money.

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