Business & Commercial

Ethics Dunce ( And Irresponsible, Grandstanding Jackass): San Francisco Giants Manager Gabe Kapler

/ Jack Marshall / 26 Comments

Yecch, yuck, ugh, gag, pittooie!

Yeah, I knew it was probably coming, and I even should have been able to guess the team and the manager, but nonetheless, this is nauseating. I assume the craven response from Major League Baseball in the coming days and weeks will be even more nauseating. Great. Welcome back, baseball!

San Francisco Giants manager Gabe Kapler led several coaches and team members as they did a Kaepernick during the National Anthem before their first exhibition game in the Bay Area Monday. And I had just finished my Smithsonian presentation that night explaining why baseball has been a vital unifying influence in communities and the nation throughout its nearly 200 year history. How ironic.

Rookie manager Kapler, coaches Antoan Richardson and Justin Viele  joined players Mike Yastrzemski (Yes, Yaz’s grandson), Austin Slater, and Jaylin Davis in taking a knee, according to NBC Bay Area. Shortstop Brandon Crawford stood between Richardson and Davis, who are both black, and placed his hands on their shoulders in an apparent sign of support.

Although the Giants did not announce before the game against the Oakland A’s at Oakland Coliseum that some members would kneel,  Kapler said he had informed the team of his plans. Then he blathered out his explanation, which while considerably more coherent than what Colin Kaepenick said after the first time he imposed his political views on his team, the game, and spectators were offensive nonetheless.

None of those cardboard cut-out people in the stands would go on the record later, but reportedly they were not pleased.

Here’s Gabe:

“I wanted to share what my plans were and I did that because I wanted them to know that I wasn’t pleased with the way our country has handled police brutality. I told them that I wanted to amplify their voices and I wanted to amplify the voice of the Black community and marginalized communities as well. I told them that I wanted to use my platform to demonstrate my dissatisfaction with the way we’ve handled racism in our country. I wanted to demonstrate my dissatisfaction with our clear systemic racism in our country. And I wanted them to know that they got to make their own decisions and we would respect and support those decisions. I wanted them to feel safe in speaking up, and so we had these kinds of discussions for the last several days and will continue to have them.”

Asked if he and other Giants would continue kneeling, Kapler said, “We’re going to have 60 chances during the regular season to make the same decision that we made today, to either stand or kneel or do something different.”

I can’t wait. Continue reading →

Ethics Batting Practice, 7/21/ 2020: Baseball Zoom Hangover Edition.

/ Jack Marshall / 13 Comments

Isn’t that only TWO feet??

Last night’s Smithsonian Associates presentation on baseball and American culture went well, I guess. Presenting on Zoom is like acting in a closet: no connection to the audience, no way to gauge what is working and what isn’t, or whether the invisible viewers are engaged. It did give me  a chance, during the section on baseball cheating, to read one of my favorite passages from Philip Roth’s baseball allegory/satire,”The Great American Novel.” Roth’s narrator, mad sportswriter Word Smith, tells the sad tale of the legendary “Spit” Baal, a master of the spitball, the mucous-ball and other trick pitches aided by surreptitiously applied substances. After such adulterations of the ball were banned in 1920, Baal found his career in tatters, since he could no longer use his signature pitch. (In the real world, the National league and American league allowed acknowledged spitball specialists to continue to throw the pitch legally under a grandfather clause, but Roth’s fantasy  is about a third major league, wiped from history and record books in the Fifties following the discovery that it had been infiltrated by Communists.) One day, again seeing his dry pitches clobbered and realizing that he could no longer get batters out legally, “Spit” has a psychotic break on the mound that ends his career in spectacular if unsanitary fashion:

And so before twenty thousand shocked customers  including innocent children — and his own wide-eyed teammates, the once great pitcher, who was  washed up anyway, did the unthinkable, the unpardonable, the inexpiable. He dropped the flannel  trousers of his uniform to his knees, and proceeded  to urinate on the ball, turning it slowly in his hands  so as to dampen the entire surface. Then he hitched  his trousers back up, and in the way of pitchers,  pawed at the ground around the mound with his  spikes, churning up then smoothing down the dirt  where he had inadvertently dribbled upon it. To the  batter, as frozen in his position as anyone in that  ball park, he called, “Here comes the pissball, shithead — get ready!”

For years afterward they talked about the route that ball took before it passed over the plate. Not  only did it make the hairpin turns and somersaults  expected of a Baal spitter, but legend has it that it  shifted gears four times, halving, then doubling its  velocity each fifteen feet it traveled. And in the end,  the catcher, in his squat, did not even have to move  his glove from where it too was frozen as a target .Gagging, he caught the ball with a squish, right in  the center of the strike zone…

1. So this graph would seem to indicate that the news media is scare mongering, right? Continue reading →

A Sunday Morning Ethics Quiz: “Ass and Boobs” vs. “The Camel’s Toe” [Corrected]

/ Jack Marshall / 16 Comments

Roenick, Lipinski and Weir. Wait…Johnny Weir is gay?

Ex- pro hockey star Jeremy Roenick has sued NBC Sports for wrongful termination, claiming the network discriminated against him as a heterosexual. At issue is his firing in February of this year for saying,  during a Barstool Sports podcast called “Spittin’ Chiclets”, while discussing his wife and Kathryn Tappen, a coworker,

“I’m swimming with my wife and Kathryn, and they’ve got their bikinis on, and they look fuckin’ smokin. Ass and boobs everywhere. It’s great.”

I suppose I should mention by way of context that sports fans do not listen to ex-hockey players  blather on “Barstool Sports” to be enlightened on the writings of Marcel Proust. Nonetheless, NBC quickly suspended Roenick, and though he issued an apology, his NBC supervisor, Sam Flood, subsequently informed him that he was fired.

[Notice of Correction: I originally wrote that Barstool Sports was an NBC production, It isn’t. So Roenick was fired for comments made when he was not under the auspices of NBC.]

What sparked the lawsuit now was the absence of any discipline levied by NBC sports after NBC Sports commentators Tara Lipinski and Johnny Weir participated this May in a leering promotional video for the At-Home Variety Show on the Peacock streaming service, joined by “Pitch Perfect” actors Elizabeth Banks and John Michael Higgins. Continue reading →

Goya Ethics

/ Jack Marshall / 55 Comments

(Yes it’s unethical, but that photo just cracks me up.)

The United States Office of Government Ethics, which has the responsibility of “preventing conflicts of interest in the executive branch,” has among its guidelines ,

“Executive branch employees may not use their Government positions to suggest that the agency or any part of the executive branch endorses an organization (including a nonprofit organization), product, service, or person.”

The provision is clear, and I think obviously, necessary. Yet after anti-Trump zealots announced a boycott of Goya, the largest Hispanic-owned company in the U.S., after the company’s CEO Robert Unanue praised President Donald Trump in a Rose Garden event last week, the First Family went to extraordinary—and unethical—lengths to support the “buycott”  that conservative groups launched in response.

First, White House adviser Ivanka Trump posted a photo of herself holding a can of Goya black beans this week, captioning it, “If it’s Goya, it has to be good” along with the  translation, “Si es Goya, tiene que ser bueno.”

Continue reading →

Ethics Observations On The Nick Cannon Meltdown

/ Jack Marshall / 34 Comments

This is the kind of story that makes me doubt my own cultural literacy. Until the controversy involving Nick Cannon, I had never heard of the guy, and wouldn’t recognize him if he walked into my living room.  Yet he’s been around for 20 years as a juvenile TV star, a rapper, comic, actor, producer, director, the TV host of all sorts of shows I didn’t watch, and since 2012 he’s had his own show on MTV called “Wild and Out.” He also has a podcast.

The news that ViacomCBS had fired Cannon resonated throughout the popular media, and qualifies, apparently, as a Big Deal. In the June 30 installment of Cannon’s podcast, “Cannon’s Class,” he interviewed Professor Griff, a rapper who was a part of the group Public Enemy before being forced out after he said in an interview with The Washington Times, “The Jews are wicked. And we can prove this.” He also said that Jews were responsible for “the majority of wickedness that goes on across the globe.”

“I’m hated now because I told the truth,” Griffin told Cannon, who was immediately sympathetic. “You’re speaking facts,!”  Cannon said. “There’s no reason to be scared of anything when you’re speaking the truth.”

After referring to Dr. Griff as a “legend,” Cannon said he wished that Louis Farrakhan, the anti-white demagogue with a long history of anti-Semitic comments, had not been blocked by Facebook.

Then Cannon endorsed Griffin’s contention that six dominant media companies were controlled by Jews, comparing it to the power of the Rothschilds, the banking family at the center  of various  anti-Semitic conspiracy theories. “I find myself wanting to debate this idea and it gets real wishy and washy and unclear for me when we give so much power to the ‘theys,’ and ‘theys’ then turn into illuminati, the Zionists, the Rothschilds,”  Cannon said later in the podcast.

Got it. He’s an anti-Semite. Continue reading →

Ethics Outburst, 7/15/2020: An Execution, An Exoneration, A “Never Mind!” And More Freakouts…

/ Jack Marshall / 29 Comments

1. Least surprising ethics revelation of the day: Kanye West is an asshole.  After posting this,

..sending the news media into a frenzy, setting off speculation about how much of the crucial black vote his candidacy might siphon off from Joe Biden, exciting all of those who inexplicably take the man seriously after ample evidence over the years that he is emotionally unstable, West has decided a mere eleven days later that he doesn’t want to run after all. His organization had hired 180 people who trusted him.

If there is a more irresponsible celebrity alive, I don’t want to know about him. Continue reading →

High Noon Ethics Showdown, 7/14/2020

/ Jack Marshall / 11 Comments

“High Noon” is an ethics movie to be sure, but a very strange one. I put it on a list of ethics movies in 2016, but as I wrote then,

“High Noon” is a Western that shows the American people at their worst, refusing to help a single law man threatened on his wedding day, and cringing in fear and denial when their values need to be fought for.

I have long felt that the movie is like a “Twilight Zone” episode, or a Western version of “Invasion of the Body-Snatchers.” What’s wrong with those people? However, it feels less like a Rod Serling parable now, when I find myself thinking “What’s wrong with those people?” several times a day as I surf the news feeds.

It is reported that John Wayne was offered the role of the desperate law man, eventually played by the Duke’s friend, Gary Cooper. Wayne, who was always protective of the heroic character he had created over the course of his career, hated the script, and turned it down. I cannot imagine John Wayne running around a town begging for help as four gunfighters are on the way to seek revenge, and apparently neither could he. In response to “High Noon,” Wayne and Howard Hawks made “Rio Bravo,” about a sheriff who keeps refusing assistance as a rancher hires gunfighters to free the sheriff’s prisoner, his brother.  At every turn, people keep saving the sheriff anyway.

I think one reason Wayne wanted to star in “True Grit” so much is that Rooster Cogburn, old and fat, takes on four villains by himself, charging them on horseback with the reins in his teeth and guns blazing.

1. It’s amazing that everyone isn’t sick of this yet. The latest Times “fact check” of President Trump, like so many others, relies on an interpretations of the notoriously sloppy-speaking POTUS that nobody fair and attentive could possible  think was his intended meaning. The statement at issue was that “99% of which are totally harmless.”

By “totally harmless,” the hyperbole addicted President meant “aren’t fatal.” The game, however, is to pretend the Presidents words, whatever they are, are lies. (The Washington Post just updated its hilarious Trump lie database. I challenge anyone to pick ten entries at random that even include a majority of “lies.”)

The Times even writes, “Studies that have calculated the death rate based on broader antibody testing that takes these silent cases into consideration suggest an infection death rate of less than 1 percent, said Dr. Ashish K. Jha, the faculty director of the Harvard Global Health Institute.” Continue reading →

Regarding “Athlete A”….[Corrected!]

/ Jack Marshall / 9 Comments

“Athlete A,” the Netflix documentary that tells the awful story of USA Gymnastics doctor Larry Nassar’s decades of sexually abusing young female gymnasts—perhaps as many as 500 of them—, how he was allowed to continue his crimes after complaints from parents and others, and the young women who finally sent him to prison with their testimony, is both disturbing and depressing. I watched it last night with my wife, who was horrified that she didn’t know the Nassar story.

Ethics Alarms wasn’t as much help as it should have been. Its first full post about the scandal was this one, which, in grand Ethics Alarms tradition, slammed the ethics of the judge who sentenced Nasser to 60 years in prison, essentially a “Stop making me defend Dr. Nasser!” post. I’ll stand by that post forever, but it didn’t help readers who are link averse to know the full extent of Nasser’s sick hobby of plunging his fingers and hands into the vaginas and anuses of trusting young girls while telling them that it was “therapy.”

The second full post, in August of last year,  was more informative regarding Nasser, but again, it was about the aftermath of his crimes, not the crimes themselves. That post  focused on the the Senate hearings following the July 30 release of the report of an 18-month Senate investigation  that found that the U.S. Olympic Committee and others failed to protect young female athletes from Nasser’s probing hands, detailing “widespread failure by the U.S. Olympic and Paralympic Committee (the “Committee”) and other institutions to keep athletes safe.”  Then there was this: Continue reading →

Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

/ Jack Marshall / 17 Comments

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part 2: Give My Demands To Broadway…)

/ Jack Marshall / 22 Comments

Upon careful consideration, I think this clip is the fairest representation of what black theater activists on Broadway are advocating:

In Part I of this series, we discussed the dead-end strategy recently pursued by the performing woke of imposing one-way limitations on which actors could portray what roles. Across the full range of group grievance activism, everyone is rushing to try to exploit and capitalize upon the George Floyd Freakout, perhaps recognizing that the present state of self-flagellation and submissiveness by white decision-makers, governments, businesses and other institutions won’t last forever. In their haste, many groups—in this I would include the “resistance,” Democrats and the news media among others—are metaphorically cutting their own throats. This is especially true of the theater community.

A coalition of theater artists called “We See You, White American Theater” has posted online a 29-page set of demands that if adopted, the New York Times opines, “would amount to a sweeping restructuring of the theater ecosystem in America.”

Wrong, Bias Breath! If adopted, the demands would kill commercial live theater, and it is more than half dead already, though most theater community members are in denial.

The list reminded me of the bad old days of the 1960s, when student anarchists, protesting the war in Vietnam, would take over university buildings and then, thinking that they had the upper hand, would submit a list of demands including the Moon and the kitchen sink, many of which had nothing to do with the war at all.  This list of demands makes those look reasonable, one reason being that simply reading the 29 pages of arrogant woke-speak is a task few will have the patience to undertake.

I’ll just focus on some highlights. (By the way, you need to know that BIPOC means “Black, Indigenous and People of Color”):

  • “We demand the naming and acknowledgement of American Indian, Alaska Native and Native Hawaiian tribal land and its Native peoples who have lived, currently live, and will live on the land where any theatre activity happens.”

I hate to keep having to break it to these naifs, but theater is just not that important to most people, particularly those in power. “We have to rename Indianapolis to have theater here? OK—we won’t have any theater then! Problem solved!”

This one is worth repeating in full: Continue reading →