Government & Politics

TGIF Open Forum!

/ Jack Marshall / 44 Comments

Pointing at the sky

Well, I’m thankful it’s Friday, at least: what an awful week, culminating in an inexplicably sleepless night. Oh—that’s two out of the three things I’ve received reader complaints about in the last few days—yes, EA has a complaint desk: my occasional use of CAPS, bolding and italics for tone and emphasis, and the inclusion of “personal stuff.” The third is that I reply to comments too much, or so some critics think.

Now, hoping to prompt a complaint that I shouldn’t taint the purity of an open forum by mentioning a topic, I’ll point out this, since I’m going back to bed and may not be in any shape to get back here for a long time: today’s headlines about the U.S. government finally admitting that it has no idea what a lot of the UFOs are is infuriating. THAT’s something that Congress should investigate; not the potential flying saucers themselves, but how the policy of lying to the public about them, calling them swamp gas, domestic aircraft and hallucinations and generally gaslighting the American people, was allowed to continue for decades. Who approved that? Who allowed it to continue? What news organizations assisted in the cover-up? Is there any wonder that the public doesn’t trust our institutions, and that conspiracy theories abound? This was a conspiracy, one that the military and every President from Ike to Trump—that’s twelve!— allowed to continue. Give Joe some credit on this one.

Now feel free to ignore me , and write about the ethics issues you want to.

And if I decide to comment on it, I will.

Unethical Quote Of The Pandemic: Dr. Anthony Fauci

/ Jack Marshall / 13 Comments

Above is Dr. Fauci during his baseball game theater last year, when he went out to the mound at Nationals Park to throw out the first pitch, and wore a facemask, though he was outdoors, there were no fans in the stands, and nobody was within a hundred feet of him. Then, once he thought he was off-camera, he took off his mask while sitting right next to two friends who were wearing theirs, for some reason. Thanks in great part to Fauci’s misinformation and pandemic fear-mongering, when I attended a Nats game this year I was required to wear a mask between bites of my hotdog, again despite there being nobody near me.  What fun. Yet here is Fauci’s quote:

This email, one of thousands being perused after a Freedom of Information Act dump, demonstrates that the CDC official advising the Trump administration and treated like a benign, all-knowing God of Science during the first year of the pandemic was and is a manipulative, two-faced, untrustworthy hack.

This should not shock anyone at this point, though Fauci worshipers, like mask worshipers (my sister wears two, in her car alone, still) will probably be in lifetime denial. Oh, heck, let me digress to an example. My woke-diseased baseball writer/ lawyer colleague, Craig Calcaterra, who is peddling a substack baseball commentary newsletter that I would eagerly subscribe to if he could resist off-topic progressive madness, wrote today in part,

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Morning Ethics Warm-Up, 6/3/2021

/ Jack Marshall / 14 Comments

I like to use this clip to start the day at least once a month….I’m also trying to overcome my cognitive dissonance regarding the film it’s from, in my view the greatest film musical ever made (no better one is likely to appear in the future), and the fact that the man it was made to honor, songwriter Arthur Freed who also ran MGM’s musical division during its “Golden Age,” exposed himself to a teenaged Shirley Temple when she was considering a move to that studio after her singing and dancing tot career at RKO had been ended by hormones. That information, which I only discovered this year, really has made “Singin’ in the Rain” hard to watch for me, much as O.J. Simpson’s presence almost ruins “The Naked Gun.”

1. Speaking of movie clips, this one is apt:

Actor John Cena posted a video to Sena Wiebo, China’s Twitterish social media platform, apologizing to Chinese fans—in Mandarin!– for calling Taiwan a “country” in his recent interview promoting “F9,” the latest installment of the “Fast & Furious” franchise. What a weasel. There may be diplomatic reasons that justify apologies to China, but an American citizen kowtowing to this Evil Empire (that just recently gave its citizens permission to have up to three children) is despicable. China maintains that it has dominion over Taiwan, a self-governed democracy that maintains its own sovereignty, while China is, in essence, a totalitarian regime. Cena grovelled because Chinese ticket sales are an essential part of most Hollywood movies’ profit, but apparently he did not grovel enough for China, and too much for Americans.

Ticket sales for “F9” in China have crashed, according to the Hollywood Reporter, because Cena was supposed to say that Taiwan is part of China. They have crashed in the U.S., because the kinds of Americans who are likely to go to “Fast and Furious” films tend not to appreciate actors who suck up to a genocidal, pandemic-spreading international menace.

2. Regarding Donald Trump, please refer to everything I wrote about him prior to November, 2016. His latest fiasco, the one-month blog that was just pulled down with all of its posts deleted, is signature significance. Trump doesn’t have sufficient respect for his followers, his party or the world in general to plan, be responsible, appear trustworthy, or to do or say anything but what pops into his head at a given moment. If he cared about the nation, he would be working to find a younger, less polarizing figure. Ideally, this individual would be blessed with charisma and ability, and could hold on to Trump’s supporters while appealing to NeverTrump conservatives and those disgusted with the Biden administration. That should be just about everybody who doesn’t advocate repealing the Bill of Rights. Instead, he’s on his usual ego trip, giving the news media constant opportunities to use his nonsense to keep the Trump Hate pandemic raging, and the public distracted from real problems, like…

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The Bureau of Land Management’s Ethics Wild Horse Wreck

/ Jack Marshall / 14 Comments

Wild horses

By purest coincidence, Tucker Carlson had a segment on Fox New last night about the federal government’s wild horse fiasco (I didn’t see it), a topic I’ve had on the Ethics Alarms issue runway for the better part of a month.

The Bureau of Land Management is charged with the care of the nation’s wild horses and burros. These once numbered in the millions in North America, but after the Western settlement and the diminishing of the open range after the 19 century, the beasts were widely hunted and turned into fertilizer and dog food. By 1971, when they were finally given protection by law, there were fewer than 20,000 left. But freed from predators (like man) wild horse herds increase by about 20% a year. The herds started growing faster than the government had planned or budgeted for.

About 3,500 mustangs and burros a year are rounded up and resettled into a network of government storage pastures and corrals known the holding system. The 51,000 animals in the system cost taxpayers $60 million a year, leaving little in the budget to protect the rest of the wild mustangs running free. Legislators and regulators are afraid of the wrath of PETA and voters who would he horrified at the government killing these symbols of the old West and wild America, so the country is stuck. What to do?

Well, some genius came up with the Adoption Incentive Program in 2019, which was supposed to move wild mustangs and burros out of government corrals into what dog rescue groups call “forever homes.” Horse-lovers were paid a cool $1,000 for each equine friend they adopted, a good deal for Uncle Sam, who has to pay an average of $24,000 during the lifetime of each wild horse. Thousands of alleged wild horse enthusiasts signed up to get their horses and checks. The number of horses leaving the holding system more than doubled. The Bureau of Land Management pronounced it “a win for all involved” that was helping “animals find homes with families who will care for and enjoy them for years to come.”

OK, now, you’re smart. What is the obvious flaw in this plan? Come on. Fredo Corleone could figure it out with a little effort.

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Now I Almost Regret Quitting Twitter…

/ Jack Marshall / 9 Comments

Mace tweet

There have been a lot false flag vandalism and supposed racial harassment episodes lately, like here, and here. This one, if it is what it appears to be, is special. A Republican congressional candidate in South Carolina named Nancy Mace took to Twitter to bemoan the state of the nation after, she said, her home had supposedly been vandalized with “antifa symbols” and other attacks.

Fox News and other conservative sources quickly reported the story and extended their sympathies and expressions of horror. On Twitter, however, a string of cyber-sleuths poked holes in her account, and even made a credible case that the candidate’s handwriting matched the writing on her sidewalk. It’s a very entertaining thread that would make a good movie. Read it all. Suspense! Comedy!

No, I’m not 100% convinced that Mace faked the vandalism, but it sure looks suspicious, and if she did fake it, she’s an idiot for the ages.

______________________

Pointer: valkygrrl

Two Wins For Law And Ethics Over Ideology

/ Jack Marshall / 10 Comments

DC RULES_blind justice

Judges are proving less partisan and ideologically driven than the increasingly totalitarian Left had hoped.

1. In Vitolo v. Guzman, the 6th U.S. Circuit Court of Appeals at Cincinnati ruled last week that the federal government violates the equal protection clause when it considers race or sex in in allocating Wuhan virus relief funds. Following the same track as the earlier case discussed here, the Court agreed that the U.S. Small Business Administration violated the Constitution by giving preference to minority- and women-owned restaurants.

Antonio Vitolo and his wife own a restaurant called Jake’s Bar and Grill. Vitolo is white, his wife is Hispanic, and they each own 50% of the restaurant. Of course, Jake could have gamed the easily manipuated SBA system by just handing his wife the extra 1%. The government requires small businesses to be at least 51% owned by women, veterans or “socially and economically disadvantaged” people to jump to the head of the line, because someone is presumed to be socially disadvantaged if they are a member of a designated racial or ethnic group. A person is considered economically disadvantaged if they are socially disadvantaged, and they face diminished capital and credit opportunities. In such a system, whether the business owner being given preference has actually been disadvantaged doesn’t matter. He or she is presumed to be disadvantaged. This nicely follows the circular logic of Critical Race Theory.

The group preferences are taken into consideration during the first 21 days in which the Small Business Administration awards the pandemic grants to restaurants. After priority applications submitted during that period are processed, the Small Business Administration processes grant requests in the order that they were received. That is, white men come last.

The 6th Circuit majority said Vitolo and his wife are entitled to an injunction forcing the government to grant their application, if approved, before all later-filed applications, and that their color and gender should be irrelevant. The government did not demonstrate a “compelling interest” justifying preferences based on race or sex.

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Comment Of The Day: “The Classical Music Critic Of The New York Times Thinks That Symphony Orchestras Should Choose Members According To Race, Gender, And ‘Other Factors’ That Have Nothing To Do With Music”

/ Jack Marshall / 16 Comments

The Comment of the Day that follows by David Rohde is welcome for many reasons. First, he is a professional musician, and a skilled one. Second, he defends the author of piece I criticized vociferously (and will continue to). Third, I think this is an important issue. Fourth,, a new voice here is always welcome, and we haven’t been getting as many as I would like of late. Finally,, as required for COTD, it is well written and worthy of considerations and debate.

Not that I agree with it, but that has never been a criteria for Comment of the Day honors. Here’s David Rohde’s Comment of the Day. on the post, “The Classical Music Critic Of The New York Times Thinks That Symphony Orchestras Should Choose Members According To Race, Gender, And “Other Factors” That Have Nothing To Do With Music.”(I’ll be back with my reaction at the end.)

***

It may be that using blind auditions has elevated the performance level of symphony orchestras. Or it may be serious overkill in an era of a supply-demand imbalance for classical musical talent. But either way, simply rolling this issue into what I know is this blog’s current obsession with – in other words, against – identity issues misses a lot that’s going on here.

First of all, you have to admit that hiring people without knowing who they are in ANY field is kind of strange. In particular, you certainly wouldn’t use blind auditions to cast people in a show, now would you? I know I know, different genres, different requirements. Roles in theater are individual, while 30 or 40 violinists in a symphony orchestra are doing much the same thing.

But I would argue that live classical music IS showbiz, and the sooner that people in that field realize it, the better. If the product is just “the music,” and many people assert that the overall technical performance level is higher than ever, then why is classical music struggling at all?

Second, I think you have to remember what the main impetus of blind auditions was in the first place. While I’m oversimplifying, the essential problem was (or shortly became) the inability of women to secure places in symphony orchestras. A quick check on YouTube of recent orchestra performances now versus 30 or 40 years ago will demonstrate the resulting change. Part of Tommasini’s argument is not to let solutions to problems become so institutionalized that they run past their sell-by date while different problems fester.

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Memorial Day Ethics Warm-Up, 5/31/2021…

/ Jack Marshall / 38 Comments

It will be interesting to see if the news media discusses the Tulsa Race Massacre of 1921 any more this May 31 than it has in the past. Discussing this horrible mass murder of blacks in Oklahoma over Memorial Day weekend has always been seen as sufficiently tasteless that the story has suffered the equivalent of a historical airbrushing. When did you first learn about it? I didn’t encounter the episode in elementary school, high school, college or law school. I was 50, and furiously researching the life of Clarence Darrow so I could churn out a one man show (that was already in rehearsal) after Leslie Nielsen pulled the rights we had paid for on the Darrow show performed on Broadway by Henry Fonda. I was looking for the context of Darrow’s epic closing argument in the Sweet case (1925), in which he referenced examples of white mob violence against blacks. That was my introduction to the tragedy. How was this possible? I was and am a voracious consumer of American history, movies, and television. Yet the facts of the Tulsa Race Massacre never entered my consciousness.

Here’s one useful resource…there are many others available online. A brief summary: After World War I, Tulsa’s African American community was notable for its affluence. The Greenwood District was known as “Black Wall Street.” But on May 30, 1921, an incident between a white woman and a black man on an elevator—nobody knows exactly what happened—was reported in the Tulsa newspapers as an attempted rape. The young African-American, Dick Rowland, had been arrested, and members of the community believed that he might be lynched. When an angry white mob gathered in front of the courthouse, a group of over 70 back men, some of them World War I veterans with weapons, confronted them. A gun went off in a struggled, and chaos descended on Greenwood. A white mob of thousands overran the Greenwood District, shooting unarmed black citizens in the streets. It burned an area of some 35 city blocks, and more than 1,200 houses, numerous businesses, a school, a hospital and a dozen churches. It is estimated that 300 people were killed in the rampage, though official counts at the time were much lower. 300 is the same death toll as the 1871 Chicago fire. I knew about that tragedy by the time I was 8.

1. IIPTDXTTNMIAFB! That’s short for “Imagine if President Trump did X that the news media is accepting from Biden…”, introduced here. The current example: during a speech at Joint Base Langley-Eustis in Langley,Virginia two days ago, President Biden began spontaneously complimenting a pre-teen girl who had joined her parents and two older brothers on the stage after her mother had introduced Biden to the crowd. Biden said, inappropriately and creepily, “ I love those barrettes in your hair, man. I tell you what, look at her. She looks like she’s 19 years old sitting there like a little lady with her legs crossed.” Republicans pounced, as the MSM cliche goes whenever Democrats are legitimately criticized. The episode was barely mentioned by the media dedicated to propping up Biden—that is, almost all of it—at all. IIPTDXTTNMIAFB…and President Trump didn’t even have a photographically preserved series of encounters like this:

Creepy-Joe-Biden-President

2. AHHHH! It’s a virus ! Get a gun!!! The headline on the front page of the NYT website yesterday read, “Pandemic Fuels Surge in U.S. Gun Sales ‘Unlike Anything We’ve Ever Seen.'” Incredible. People bought guns for the first time because rioting was going on all over the country, and in many places the police were doing little or nothing to stop it. Buildings were burning and being looted; citizens were being threatened. Who gets a gun to fight a pandemic? (There was never any threat of the kind of civic breakdown from the virus like that portrayed in the movie “Contagion.” Toilet paper riots?)

The degree to which the Times—the “paper of record’!—continues to distort reality to mislead the public and warp public opinion is astounding. Later in the same article, the Times said, “While gun sales have been climbing for decades — they often spike in election years and after high-profile crimes — Americans have been on an unusual, prolonged buying spree fueled by the coronavirus pandemic, the protests last summer and the fears they both stoked.”

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Comment Of The Day: “Dispatch From ‘The Great Stupid'”

/ Jack Marshall / 8 Comments

nixon-tweet

I had a long list of topics I wanted to write about today, but I have been rendered mostly unproductive due to some malady or another. Luckily, and not for the first time, readers have come through with content at least as valuable as anything I could have generated. I already have backlog from the last two Open Forums, and some delayed Comment of the Day as well. I am very grateful.

This Comment of the Day is another from the frequently history-minded (and often pessimistic) Steve-O-in-NJ, and his subject is the bad ideas, an evergreen topic, focusing on the tweet above, which is more representative of the current drift of progressive thought (it one is generous enough to call it that). Only one previous post had the “bad ideas” tag: this one, on “fertility equality.” I bet there are a hundred more that should have it, like anything about making Kamala Harris Vice-President.

Here’s Steve:

The U.S. and the world have hosted some pretty bad ideas over time.

The tulip bulb bubble, the ancient astronauts theory (remember “Chariots of the Gods?”), phrenology, New Coke, the XFL, and Boston selling Babe Ruth to the Yankees were some of the more benign ones. John Maxwell’s execution of the leaders of the Easter Rising, Mao’s Great Leap Forward, and the National Guard opening fire at Kent State were some of the ones that were not so harmless. The Reign of Terror, where the Committee on Public Safety sent who knows how many to the guillotine for any reason or no reason, Pol Pot’s Year Zero, in which towns, money, religion, and private property were abolished and execution by clubbing to death by a pick or a hoe, also for any reason or no reason,, Petrograd Order No. 1 (mostly now forgotten) which de facto stripped military officers of disciplinary authority, causing the Russian military to collapse like a deflated balloon in the face of renewed German offensives, and Hitler’s crackpot racial theories were examples of instant disasters.

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A Deeper Dive Into The Western Washington University “No Exit” Protest

/ Jack Marshall / 1 Comment

empty seast

Guest Post by Rick Jones

[Before I turn the floor over to Rick, also known here as “Curmie,” a couple of comments are in order. I had hoped that the post yesterday about the Western Washington University student protest over the decision to produce “No Exit,” the 1944 existential drama by Jean-Paul Sartre, would generate commentary from Rick, for several reasons. First, he is one of my favorite bloggers on his own, the proprietor of Curmudgeon Central, which has a new post up right now regarding the George Floyd incident one year mark. More relevant to our topic right here and now, Rick is a distinguished college professor, drama teacher and stage director, who has special insight into university students and live theater. As he reveals in the article to come, he also is better qualified to discuss “No Exit” than I; indeed, he has now convinced me to give the work another chance, since it has been decades since I read or saw it.

I also was thrilled to receive this submission from Rick because I feel very strongly that live theater is imperiled in the U.S. I know most readers here do not share my dedication to theater; few Americans do, and fewer all the time. But I have lived a double life (as a character in Tom Stoppard’s “The Real Inspector Hound” adds “At least!”), spending  as much of my passions and energies on theater as any other pursuit from high school until to five years ago, when I ended the 20-year run of my small, maverick, professional theater company. My timing was excellent, because the panic-driven lockdown has killed many of The American Century Theater’s competitors here in the D.C. area, maybe most of them, and a year of using Zoom and streaming services has undoubtedly convinced many one time audience members that live theater isn’t worth the time, inconvenience or expense. In the same period, toxic political correctness, political obsession and woke fanaticism has grown exponentially, and these were existential threats to theater already.

The “No Exit” controversy is a symptom of a very serious threat to live performance art, which has been a force for uniting societies and enlightening the public for centuries. We need it more than ever now. A lot is at stake. JM]

***

My department has produced “No Exit”(which, by the way, I like a lot more than you do, Jack) twice in the last decade.  The first of these was directed by a talented and intelligent female student (an ardent feminist, by the way) who went on to earn a Master’s from a prestigious university overseas.  And we also did an online-only production last fall, directed by a colleague who’s one of the smartest people I’ve ever known, with a PhD in Theatre from arguably the best doctoral program in the country.  Oh, did I mention that she’s a lesbian? 

And, of course, the sense of isolation in the play was a major reason the play was chosen: because we all have a greater understanding of that phenomenon now than even the most creative thinkers could have managed a year earlier.  Moreover, please forgive me if I think that perhaps my colleague, who has published and taught courses on Queer Theatre, might have a more sophisticated understanding of the concepts at play in that particular theoretical framework than would a gaggle of pretentiously woke undergrads.

I am apparently lucky not to be at WWU.  When I announced my show for this spring as Jean Genet’s “The Maids”and described the two central characters as “would-be murderers who engage in sado-masochistic lesbian incest,” it generated interest on the part of most of our best actresses; if there was any dissent—from either very liberal students or a very conservative larger community—I never heard about it.  (Side note: although it wasn’t produced until later, “The Maids” was chosen and announced prior to”No Exit” which was a late substitution for a play we were unable to do.  I wouldn’t have chosen to do two existential French dramas from the 1940s in the same season, but that’s what we ended up with.)

But revenons à nos moutons.  When I started this response, I intended to go point by point through the students’ commentary, but that got really long, as virtually everything they say is nonsense.  So: a few general points:

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