The Donald Trump Follies: An Integrity Check for GOP Presidential Contenders

Some of the people more qualified to moderate a presidential debate than Donald Trump.

Donald Trump is staging yet another debate among the increasingly depressing field of Republican presidential contenders, with The Donald as the moderator, in Des Moines on December 27. This is extremely useful in assessing the field, and everyone in America owes him a debt of thanks, for anyone who agrees to participate in this offensive farce is unqualified to be President of the United States. Trump has created an excellent integrity test.

Several candidates have already flunked.  Newt Gingrich has agreed to participate—granted, there weren’t many questions about his integrity, so this is no surprise. So has Rick Santorum. I am somewhat surprised at this: Santorum holds some truly objectionable views, but integrity has never been one of his ethical  weaknesses. Well, the Trump Debate is a judgment test too—if you agree to go, yours is none too good. Now that I think about it, Santorum’s decision was predictable too. Continue reading

Ethics Dunce: Alec Baldwin…and Anybody That Sympathizes Or Defends Him In Any Way, Shape or Form

"I'm a certified jerk, AND I play one on TV!"

Like Ashton Kutcher and Charlie Sheen, Alec Baldwin is a mega-jerk actor who plays mega-jerks superbly.  Designating him as an Ethics Dunce is like shooting fish in a barrel. Still, there is a material difference between portraying a fictional jerk that people laugh at and behaving like one in real life without apology. Baldwin’s stunt on an American Airlines flight yesterday and his subsequent comments about it mark him as a very special breed of self-entitled jerk, and should, in a culture that understands that admiring jerks is the equivalent of endorsing their warped values, lead to his decline in popularity.

We shall see.

Baldwin was quite properly tossed off an American Airlines flight when he repeatedly defied a flight attendant’s request, then command, that he turn off his iPad, on which he was playing a game. The actor, like the arrested development case he apparently is, retired with his game to the plane’s bathroom, slamming the door, and also verbally abused the attendants. Continue reading

“It’s A Wonderful Life” Ethics, Part 3

Here is the final installment of the Ethics Alarms overview of the ethical issues raised in Frank Capra’s classic. Some of the comments on Parts 1 and 2 have suggested that my analysis is unduly critical. Nothing could be further from the truth. I love the movie, and have already said that I find it ethically inspiring. Noting that characters act unethically in a movie about ethics is no more criticism than pointing out that people in horror movies never just leave when things start getting weird (as I would). I know that their actions drive the plot and are necessary. This is, however, how an ethicist watches a movie with as many ethical choices as “It’s A Wonderful Life.” I can’t help it.

Now back to George, Mary, and Bedford Falls:

11. Uncle Billy screws up as we knew he would

11.  Christmas Eve arrives in Bedford Falls, and Uncle Billy manages to forget that he left the week’s deposits in the newspaper he gave to Mr. Potter. Thus more than $8,000 is missing on the same day that the bank examiner is in town. Why is Uncle Billy still working for the Savings and Loan? He’s working there because George, like his father, is putting family loyalty over fiduciary responsibility.  Potter, of course, is a thief; by keeping the lost money to trap George, he’s committing a felony, and an unnecessary one. As a board member on the Savings and Loan, Billy’s carelessness and George’s negligence in entrusting him with the bank’s funds would support charges of misfeasance. Mr. Potter, had he played fair, might have triumphed over George legitimately, and no Christmas miracle or guardian angel could have saved him. But this is the inherent weakness and fatal flaw of the habitually unethical: since they don’t shrink from using unethical devices, they often ignore ethical ways to achieve the same objectives that would be more effective.

12. George folds under pressure Continue reading

Comment of the Day: “Another Santa Assassin”

The Comment of the Day is a short and pithy one from Fred, inspired by the essay from 2005 I posted in response to yet another report of a Scrooge-like elementary school teacher taking it upon herself to enlighten young children about the non-existence of Santa Claus. That essay involved a substitute teacher named Theresa Farrisi.

Here is his Comment of the Day, on “Another Santa Assassin”:

“The three ages of man: He believes in Santa Claus; he does not believe in Santa Claus; he is Santa Claus.

Farrisi obviously never made it to the third stage and discovered the ultimate truth about Santa Claus. For me, each stage had its own appeal: First the magic; then maturing and being let in on the literal truth while protecting the magic for my younger brother; then being Santa and bringing the magic to my kids. That was by far the most rewarding.”

Another Santa Assassin

In Nanuet, New York, a teacher ruined Christmas for her  second-grade class this week by presuming to alert them that their parents were liars, and that there is no Santa Claus. This presumptuous act occurred during a lesson about the North Pole. You can read the whole story here. This occurs every Christmas season, in many locales and perhaps with increasing frequency. I stated my position on the matter in 2005, in an essay entitled, “The Attack of the Santa Assassin.” The recent story prompted me to revisit it. My opinion hasn’t changed:

“The parental conspiracy to support Santa Claus mythology as an excellent rebuttal to the Kantian contentions that all lies are unethical. Here is a fantasy told to the very young that imbues them with a sense of magic and wonder, and greatly enhances their enjoyment of a holiday having great social, historical, and cultural significance. It draws families together, and produces a uniquely memorable series of annual rituals that become a focal point of childhood: the late night parental setting of the scene around the tree, a child waking parents at dawn to see what Santa has brought, the first sight of the presents, and the subsequent ecstatic moments of unwrapping, surprise, and discovery. If there are children who feel that they had been mistreated by their parents perpetuating the Santa fantasy until it was no longer credible, they are a distinct and peculiar minority. Even Natalie Wood in “Miracle on 34th Street” wanted to believe in Santa Claus.

“But Theresa Farrisi, a substitute music teacher at Lickdale Elementary School in Lebanon, Pennsylvania, just couldn’t bring herself to participate in this vile falsehood. So as part of her assigned duty of reading “The Night Before Christmas” to a first grade class (!), Ms. Farrisi took it upon herself to explode the myth, spill the beans, and break the spell. Continue reading

“It’s A Wonderful Life” Ethics, Part 2 (of 3)

When we last saw George Bailey, he was defending his father’s dubious loan practices. In this, Part 2 of the three installments of  “It’s A Wonderful Life” Ethics, we take the saga up the fateful Christmas Eve when George Bailey meets his guardian angel.

6. George’s Fork in the Road

George Bailey’s decision to give up his plans to go to college to save the Savings and Loan is clearly not motivated by his personal dedication to the institution; he doesn’t like the place. He says so over and over again. He admires his father’s motivations for starting it. Had Potter not sparked his resentment with his nasty comments about George’s late father, George would have been out the door. But his passionate speech in rebuttal of Potter’s words put him on the spot: after those sentiments, turning down the Board’s appointment of him to be the new operating manager of the S&L would have made George a hypocrite in his own eyes, and rendered his passion  laughable. If George had integrity, then he had to accept the appointment.

It is one of the most interesting ethical moments in the film, because it represents a realistically complex ethical decision. George does what he does for selfish reasons as well as altruistic ones, and irrational reasons as well as considered ones. He wants to respect himself; he fears what might happen to his family and the community if Potter becomes the only financial power in town, and knows he will feel guilty if the consequences are bad. He feels like not staying will be taking Potter’s side over his father’s—completely irrational, since his father had given his blessing to George’s college plans, and wasn’t alive to be harmed by whatever he chose to do anyway. A large proportion of George’s decision seems to be motivated by non-ethical considerations, for he doesn’t like Potter—even hates him, perhaps—and wants to stick it to the old tycoon by foiling his victory. There are few ethical decisions in real life that are made purely on the basis of ethics, and Capra makes George’s decision wonderfully impure. Continue reading

“It’s A Wonderful Life” Ethics, Part I (of 3)

“It’s A Wonderful Life” made its now traditional holiday season appearance on network television, and naturally, I watched it. The movie is one of the great ethics movies of all time, as well as being one of the great American movies of all time, perhaps director Frank Capra’s masterpiece. One of the markers of a classic film is how one can find new things in it upon every viewing, and that is certainly true of “It’s A Wonderful Life.” I was struck this time around by how many ethics issues are raised in the screenplay, some, no doubt, unintentionally.

1. “If It’s About Ethics, God Must Be Involved”

The movie begins in heaven, represented by twinkling stars. There is no way around this, as divine intervention isat the core of the fantasy; heaven and angels were big in Hollywood in the Forties. Nevertheless, the framing of the tale advances the anti-ethical idea, central to many religions, that good behavior on earth will be rewarded in the hereafter, bolstering the theory that without God and eternal rewards, doing good is pointless.

We are introduced to George Bailey, who, we are told, is in trouble and has prayed for help. He’s going to get it, too, or at least the heavenly authorities will make the effort. They are assigning an Angel 2nd Class, Clarence Oddbody, to the job. He is, we learn later, something of a second rate angel as well as a 2nd Class one, so it is interesting that whether or not George is in fact saved will be entrusted to less than heaven’s best. Some lack of commitment, there—then again, George says he’s “not a praying man.” This will teach him—sub-par service! Continue reading

Clark Gable, Loretta Young, and the Betrayal of Judy Lewis

Clark Cable is the one on the right.

Judy Lewis died this week, at the age of 76. She survived and flourished despite being brought up in a community that conspired to hide the truth from her, and famous parents who refused to acknowledge her as their own. The community was Hollywood, and its treatment of Judy Lewis demonstrates the depth of its ethical failings. Her parents were Clark Gable and Loretta Young, and it is difficult to look at them the same way once you have learned what they did to their daughter.

Lewis was a love child, conceived during a movie set fling in 1935 when Gable, married at the time, and the single Young co-starred in “The Call of the Wild”. When Young became pregnant, she hid herself away, had her child, and entrusted her to a nunnery until the little girl was two. Then Young faked an adoption. Throughout her childhood, Lewis (the last name she took from Loretta Young’s first husband, who refused to adopt her) did not know the true identity of her famous parents, or why Gable, then known as “The King” of Hollywood, mysteriously showed up at her boarding school one day for an unannounced visit—the only time she ever saw him in person. Continue reading

Ethics Hero: Martin Scorsese

One of the most respectful and compassionate acts a human being can perform is to rescue the memory and achievements of a great man or woman from obscurity. Not only does this confer deserved longevity on the legacy of someone who has contributed something good and lasting to civilization and culture; it also is a gift to the rest of us, enriching our knowledge and perhaps providing us with inspiration as well.

This is what Martin Scorsese does for the early French film pioneer Georges Méliès in his new movie, “Hugo.”  The film is a fictionalized account of how Méliès, a producer, director, actor and special effects innovator, was rediscovered by film-lovers and his countrymen after years of discouragement and depression. In a nice piece of irony and symmetry, Scorsese’s film duplicates the phenomenon his movie describes. Forgotten after World War I, Méliès and his work were celebrated late in the 20’s, and he received long overdue acclaim and recognition, including France’s Legion of Honor. After his death in 1938, his contributions to the art and craft of cinema faded from public awareness a second time. Once again, thanks to “Hugo,” the public is learning Méliès’s name and being delighted and inspired by his creations. Continue reading

Now Here’s A Terrible Idea: Mandated Disclosures for Photoshopped Images of Celebrities!

And if you look real closely at the lower left corner, you'll read, "The model for Venus was a short, middle-aged bald man named Gino. His appearance was altered by the painter in the creation of this painting."

Here is another candidate for enshrinement in the Pantheon of Well- Intentioned But Terrible Ideas.

In an article published Monday in the journal “Proceedings of the National Academy of Sciences,” Dartmouth researchers Hany Farid, a professor of computer science, and Eric Kee, a doctoral student, propose a rating system of publicly displayed photographs of models, actors and celebrities to let viewers know exactly how and how much an image has been altered by photoshopping, airbrushing or other means.

“Impossibly thin, tall, and wrinkle- and blemish-free models are routinely splashed onto billboards, advertisements and magazine covers,” the two write. “The ubiquity of these unrealistic and highly idealized images has been linked to eating disorders and body-image dissatisfaction in men, women, and children.” In the interest of limiting the damage caused by unrealistic images of human beauty, the researchers argue that graphic images should include labels that disclose  “geometric adjustments” such as slimming legs, hips and arms, as well as adjusting facial symmetry—reducing a nose in size, or slightly enlarging eyes.  Users of such photos should also flag photometric adjustments that change the appearance of skin tone, blemishes and texture, such as wrinkles, dark circles under the eyes or cellulite, say the researchers.

Please, for the love of God, nobody introduce these guys to Sarah Deming and her lawyer, who are suing the distributers of the film “Drive” because the trailer was more exciting than the movie. And let us all remember this proposal when we are tempted to pooh-pooh accusations that the government is regulating creativity, commerce, art and enterprise right out of existence, and with them, individual liberty as well.The tea parties should use Farid and Kee’s article for recruitment. Continue reading