Clark Gable, Loretta Young, and the Betrayal of Judy Lewis

Clark Cable is the one on the right.

Judy Lewis died this week, at the age of 76. She survived and flourished despite being brought up in a community that conspired to hide the truth from her, and famous parents who refused to acknowledge her as their own. The community was Hollywood, and its treatment of Judy Lewis demonstrates the depth of its ethical failings. Her parents were Clark Gable and Loretta Young, and it is difficult to look at them the same way once you have learned what they did to their daughter.

Lewis was a love child, conceived during a movie set fling in 1935 when Gable, married at the time, and the single Young co-starred in “The Call of the Wild”. When Young became pregnant, she hid herself away, had her child, and entrusted her to a nunnery until the little girl was two. Then Young faked an adoption. Throughout her childhood, Lewis (the last name she took from Loretta Young’s first husband, who refused to adopt her) did not know the true identity of her famous parents, or why Gable, then known as “The King” of Hollywood, mysteriously showed up at her boarding school one day for an unannounced visit—the only time she ever saw him in person. Continue reading

Ethics Hero: Martin Scorsese

One of the most respectful and compassionate acts a human being can perform is to rescue the memory and achievements of a great man or woman from obscurity. Not only does this confer deserved longevity on the legacy of someone who has contributed something good and lasting to civilization and culture; it also is a gift to the rest of us, enriching our knowledge and perhaps providing us with inspiration as well.

This is what Martin Scorsese does for the early French film pioneer Georges Méliès in his new movie, “Hugo.”  The film is a fictionalized account of how Méliès, a producer, director, actor and special effects innovator, was rediscovered by film-lovers and his countrymen after years of discouragement and depression. In a nice piece of irony and symmetry, Scorsese’s film duplicates the phenomenon his movie describes. Forgotten after World War I, Méliès and his work were celebrated late in the 20’s, and he received long overdue acclaim and recognition, including France’s Legion of Honor. After his death in 1938, his contributions to the art and craft of cinema faded from public awareness a second time. Once again, thanks to “Hugo,” the public is learning Méliès’s name and being delighted and inspired by his creations. Continue reading

Now Here’s A Terrible Idea: Mandated Disclosures for Photoshopped Images of Celebrities!

And if you look real closely at the lower left corner, you'll read, "The model for Venus was a short, middle-aged bald man named Gino. His appearance was altered by the painter in the creation of this painting."

Here is another candidate for enshrinement in the Pantheon of Well- Intentioned But Terrible Ideas.

In an article published Monday in the journal “Proceedings of the National Academy of Sciences,” Dartmouth researchers Hany Farid, a professor of computer science, and Eric Kee, a doctoral student, propose a rating system of publicly displayed photographs of models, actors and celebrities to let viewers know exactly how and how much an image has been altered by photoshopping, airbrushing or other means.

“Impossibly thin, tall, and wrinkle- and blemish-free models are routinely splashed onto billboards, advertisements and magazine covers,” the two write. “The ubiquity of these unrealistic and highly idealized images has been linked to eating disorders and body-image dissatisfaction in men, women, and children.” In the interest of limiting the damage caused by unrealistic images of human beauty, the researchers argue that graphic images should include labels that disclose  “geometric adjustments” such as slimming legs, hips and arms, as well as adjusting facial symmetry—reducing a nose in size, or slightly enlarging eyes.  Users of such photos should also flag photometric adjustments that change the appearance of skin tone, blemishes and texture, such as wrinkles, dark circles under the eyes or cellulite, say the researchers.

Please, for the love of God, nobody introduce these guys to Sarah Deming and her lawyer, who are suing the distributers of the film “Drive” because the trailer was more exciting than the movie. And let us all remember this proposal when we are tempted to pooh-pooh accusations that the government is regulating creativity, commerce, art and enterprise right out of existence, and with them, individual liberty as well.The tea parties should use Farid and Kee’s article for recruitment. Continue reading

Ethics Quote of the Month: Herman Cain Attorney Lin Wood

What's that you say, Mr. Wood? Marital infidelity is irrelevant to a presidential candidate's qualifications? Did John Edwards tell you that?

“Mr. Cain has been informed today that your television station plans to broadcast a story this evening in which a female will make an accusation that she engaged in a 13-year long physical relationship with Mr. Cain. This is not an accusation of harassment in the workplace – this is not an accusation of an assault – which are subject matters of legitimate inquiry to a political candidate. Rather, this appears to be an accusation of private, alleged consensual conduct between adults – a subject matter which is not a proper subject of inquiry by the media or the public. No individual, whether a private citizen, a candidate for public office or a public official, should be questioned about his or her private sexual life. The public’s right to know and the media’s right to report has boundaries and most certainly those boundaries end outside of one’s bedroom door. Mr. Cain has alerted his wife to this new accusation and discussed it with her. He has no obligation to discuss these types of accusations publicly with the media and he will not do so even if his principled position is viewed unfavorably by members of the media.”

Attorney Lin Wood, on behalf of his client Herman Cain, in a statement to Fox News in response to its  interview with a Georgia woman, Ginger White, who says she had a 13 year adulterous relationship with the Republican presidential contender.

Sorry, Mr. Wood. You are dead, dead wrong. Continue reading

Five Ethics Lessons from Jerome Cardano (“Who?”), and One More

Remember his name?

A chance reference in a book I was perusing yesterday reminded me of a fascinating historical figure whom I hadn’t thought about in decades—which still gives me an edge over most people, who have never thought about him at all. He is Jerome Cardano, or, in the Italian version of his name, Gerolamo Cardano, an archetypical Renaissance man from Italy who walked the earth between 1501 and 1576. When I first learned about him those many years ago, his remarkable life didn’t give me any ethical insights because I wasn’t thinking about ethics then. Now, reviewing the facts of his remarkable life, I find that it carries at least five lessons with value for anyone who strives to live in a more ethical culture, and to have his or her own life contribute to making the world a better place.

Lesson 1 : DiligencePlay the hand you are dealt the best you can.

Cardano’s mother attempted to abort him by taking various poisons, but succeeded only in making him unhealthy. He stuttered; he was incapable of sexual relations, and had chronic insomnia, supposedly resulting in an “annual period” where he got little or no sleep for two to three months. He was afflicted at various times with the plague, cancer, dysentery, and many lesser ailments, yet he led a life full of extraordinary accomplishments and adventures, and continued to be active and breathing for 75 years, when most of his class and era died before they reached 45. Continue reading

Post-Thanksgiving Ethics Quiz: Is This Ethical? (Giant Lips Edition)

Jessica also apparently has only one eye…

Look at the bright side: at least she didn’t have octuplets.

Kristina Rei, 22, of St. Petersburg, Russia, wants to look like Jessica Rabbit, so naturally she opted to get herself a pair of hugelips.She has undergone over 100 silicon-injection procedures, and considers it just the initial step in her quest to look like Roger Rabbit’s

Kristin’s hickies are deadly.

Toon wife from “Who Framed Roger Rabbit?”. “When I can afford it I want to enlarge my breasts from a C-cup to a DD, change the shape of my nose and I want to make my ears pointed like an elf,” she told reporters. “It’s good to be different.”

Well, she’s different, all right.

Your Post-Thanksgiving Ethics Quiz: Was it ethical for a plastic surgeon to give her the lips she wanted?

Plastic surgeons are subject to the Hippocratic Oath like other doctors, but in  cases of elective surgery the standards of what constitutes doing substantive harm to a patient are extremely elastic. None of the Codes of Ethics for plastic surgeons would clearly prohibit giving a patient lips that look like they belong on a Macy’s helium balloon, or similar exaggerated features. These lips make Kristina happy. Is she mentally ill? A doctor who suspected so would be wrong to submit to her wishes if they were based on clinically defective judgment, but the fact that a doctor thinks a patient will look like a freak if he does what she wants isn’t ethically dispositive. Continue reading

Ethics Dunce: Jimmy Fallon and The Roots

Why is this Be Unfair To Michele Bachmann Month? Because everybody knows when you don't agree with someone, its OK to be unfair to them..

Late night NBC talk show host Jimmy Fallon’s band, The Roots, has developed a habit of choosing “walk-on music” for Fallon’s guests that contain editorial comment on the guests themselves. The practice is not original, but the degree to which The Roots choose titles that are direct insults is, and it’s an unethical practice. Guests are guests, and playing the music of a song with lyrics that intentionally insult a guest is still atrocious manners, not made any less rude because only those who know the song get the message.

When Rep. Michele Bachmann came on Fallon’s show this week, the band played Fishbone’s “Lyin’ Ass Bitch.” Foul. In ethical terms, this is the equivalent of the band standing up and shouting insults at Bachmann on camera, except that it’s more cowardly. Bachmann didn’t know that she was being insulted, and it was a sure bet that she wouldn’t: I doubt anyone expects Fishbone to be on Michele’s playlist.

Kimmel’s band was proud of itself; Roots drummer Questlove alerted his followers  on Twitter before the ambush, tweeting:

   “Aight late night walkon song devotees: you love it when we snark: this next one takes the cake. ask around cause i aint tweeting title.”

Fallon owes Bachmann an apology, and The Roots need to have basic professionalism explained to them.

UPDATE: Fallon and Questlove both apologized over Twitter.

Margaret Ann Haring Would Have Sent Elliot To Guantanamo Bay

Quick...call 911!

Luckily, when Elliot had that weird mind-link thing with E.T. while the little alien was watching “The Quiet Man” on TV, and not only let all the frogs loose in his biology class but planted a major league lipper on a pre-teen classmate played by Erika Eleniak (later to prove Elliot’s exquisite taste by becoming a “Baywatch” pin-up) when the Duke smooched Maureen O’Hara, it was before the days of “no-tolerance” policies, and Ms. Haring wasn’t his teacher.

Not so lucky was the female student in a real life elementary school, who impulsively kissed a boy during a physical education class at Orange River Elementary School in Fort Myers, Florida. Haring saw her student’s vicious sexual assault, and called child welfare officials, who, rather than telling her she was out of her frickin’ mind, directed her to contact the sheriff. The school then reported the pre-teen moment of passion as a possible sex crime, according to the Lee County Sheriff’s Office. Continue reading

“Walking Dead” Ethics

American Movie Classics’ excellent, if harrowing, zombie apocalypse drama “the Walking Dead” finally raised the ethical issue looming like a zombie Woolly Mammoth over all zombie films: Is it ethical to kill zombies? Are they still human beings?

Nobody seriously disputes that killing a zombie who is about to eat you or your compatriots is self-defense, justifying deadly force. But what about the common practice in every George Romero-inspired zombie epic: shooting the shambling things (or the sprinting variety, as featured in the re-make of “Dawn of the Dead”) on sight—in the head, naturally? Is it murder? Euthanasia?

The issue was raised in this Sunday’s episode of “The Walking Dead,” as it was revealed that the prickly doctor who presides over the remote farm where our zombie-fleeing heroes are currently taking refuge keeps a batch of captive “walkers,” including his rotting wife, locked in a barn. He feeds them chickens, which are presumably finger-lickin’ good. The doctor regards zombie killing as an atrocity, the equivalent of killing a sick person. “They are humans,” he says. Continue reading

Ethics Quote of the Week: Charlie Chaplin

I’m heading to New York City shortly, and will make an effort to check out first hand the state of Occupy Wall Street. The nationwide protest seems to be waning in both intensity and public support, despite some hopeful, futile voices (like the New York Times editorial page) who persist in claiming that its message is “important.”

I’m not denying that it could be. At this point, however, it is in danger of redefining itself as (or, in my case, confirming the diagnosis) a self-indulgent, expensive mess that never succeeded or even tried to articulate its goals clearly enough to avoid overtaken by the worst side-effects of such protests: violence, damage to property, threats to safety, and harm to innocent bystanders. Yesterday, for example, having failed to disrupt the operations of Wall Street, the New York contingent decided to disrupt the subway system—the mode of transportation overwhelmingly used by “the 99%.”

Stupid.

Words and clear thinking are not only helpful, but an obligation for those seeking social change.  As an example of how words can inspire, I offer this, the speech that Charlie Chaplin wrote and delivered at the end of his film, “The Great Dictator.” I am far from four-square with Chaplin’s politics, but he knew how to craft an inspiring rally to change—exactly what the “Occupy” should have done. Then, at least, we would recall it for what it aspired to, rather than all the annoyance and cynicism it launched. Here is a link to an editorially enhanced version of the scene and here is the text: Continue reading