Morning Ethics Warm-Up: 8/2/17

Gooooood morning!

(I don’t know about you, but it’s always a good morning for me when the Boston Red Sox win the most exciting game of the baseball season so far with a three-run homer in the bottom of the ninth after what should have been the last out reached first because  a swinging strike three went through the catcher for a passed ball….)

1. Yesterday, the gang at HLN were laughing and guffawing over the fact that someone sent e-mails purporting to be from Anthony Scaramucci to various White House officials and fooled the recipients into responding. Such publicity is what hoaxers dream about. This is why we have despicable fake news sites like “The News Nerd” and others. This is why Facebook feels it needs a special task force to search out and destroy false representations. CNN and other news media also treated the e-mails as significant news—more newsworthy, for example, than the Pakistani crooks the Democratic party had handling sensitive e-mails and other data. Why is this news, other than the fact that the “bad guys” were fooled, in the warped perspective of “resistance” journalists? More to the point, why is it funny? Why is the news media encouraging hoaxes by rewarding them with the notoriety they crave, so they can puff up their little pigeon chests and say, “See? I matter!”

The reports attempted to bootstrap the story by explaining that fake e-mails are how cyber-predators can get access to e-mail accounts. Those phishing episodes, however, involve the credulous recipients clicking on links in the message, which did not occur here. That’s what Hillary Clinton and John Podesta did. I don’t recall HLN chortling about that, however.

2. I’m still waiting for the news media’s apology to Sarah Palin. The news from UK socialized medicine today:

“Obese people will be routinely refused operations across the NHS, health service bosses have warned, after one authority said it would limit procedures on an unprecedented scale.Hospital leaders in North Yorkshire said that patients with a body mass index (BMI) of 30 or above – as well as smokers – will be barred from most surgery for up to a year amid increasingly desperate measures to plug a funding black hole. The restrictions will apply to standard hip and knee operations. The decision, described by the Royal College of Surgeons as the “most severe the modern NHS has ever seen”, led to warnings that other trusts will soon be forced to follow suit and rationing will become the norm if the current funding crisis continues.”

Continue reading

File This In The Niggardly Principles Files: The Family That Helped Build Portland’s Public School System Is Condemned To Oblivion Because The Schools Are Afraid To Teach

I really hate this story, and all stories like it. I hope you do too.

In a perfect and perfectly disgraceful breach of the First Niggardly Principle, the Centennial School District in southeast Portland will be excising “Lynch” from three schools before the beginning of this school year: Lynch Meadows, Lynch Wood, and Lynch View elementary schools. The schools were named to honor the family that originally  donated land for the the  schools to be built upon over a century ago. What, however, is the obligation to appreciate and honor those who selflessly seek to assist public education, compared to the need to cater to those whose education was inadequate? Nothing, apparently.   Superintendent Paul Coakley explains that “many newer families coming into the district associate the name with America’s violent racial history.”

Well, that should settle it, then! Why burden these narrow-minded and easily-triggered products of the victim culture with facts, knowledge and perspective?

More from Coakley: “There were an increasing amount of questions and some complaints from families of color around the name…there is no connection between the Lynch family and the practice associated with the term” but the name has still “been a disruption for some students.”

Here’s a creative alternative solution: educate them. How about that? Is that too challenging for the students? For Portland’s schools? From Wordorigins.com: Continue reading

Unethical Quote Of The Month: President Donald J. Trump

“And when you see these towns and when you see these thugs being thrown into the back of a paddy wagon—you just see them thrown in, rough—I said, please don’t be too nice. Like when you guys put somebody in the car and you’re protecting their head, you know, the way you put their hand over? Like, don’t hit their head and they’ve just killed somebody—don’t hit their head. I said, you can take the hand away, okay?”

The President of the United States of America, land of the free, home of the brave, and where no citizen is presumed guilty and is protected by the Bill of Rights, in a speech to Long Island law enforcement officials.

Ugh. What an idiot. Here we are in a societal racial schism with alleged police brutality at its core, and President Trump decides it’s the perfect time to publicly endorse beating up suspects on their way to jail.

Naturally, being professionals and having functioning ethics alarms, the International Association of Chiefs of Police as well as various police departments and chiefs released statements stressing the need for police to treat all people with respect.  Darrel Stephens, the executive director of the Major Cities Chiefs Association, said that the President’s words were harmful to police departments that are trying to rebuild trust.  He also added that the laughter and applause of those officers in attendance ” reinforces that there’s sort of a wink and a nod about these things, when that’s simply not the case,.”

Blue Lives Matter then tweeted that “Trump didn’t tell police to go out and brutalize people as the media would have you believe. It was a joke.”

Of course it was a joke—an irresponsible, reckless, inappropriate, harmful, stupid, stupid, stupid joke. That’s a rationalization, not an excuse.

I wonder if the new Chief of Staff could talk the Secret Service into allowing him to post an Amazonian blow-gun sniper with a tranquilizer dart at all Presidential speeches, with instructions to puff hard any time the President starts to go off script?

Probably not…

__________________________

Source: ABA Journal

Bad Ethics Chess: The Insufficiently Diverse High School “Sound of Music”

The real mystery here is how the school administrators and teachers could not have seen this coming. Thus the ethical value at issue is, as it often seems to be with public education, competence, or rather the lack of it.

In April of 2016, Marshfield High (in Wisconsin) presented its annual musical.  The production involved a cast of 40 students with 30 more in the crew and orchestra. Students from two elementary schools were in the cast. The show? Rogers and Hammerstein’s “The Sound of Music,” based on the story of the Von Trapp singers and their escape from Austria when the Nazis took over.

In March 2016, a complaint was received from a parent alleging that  the musical’s casting violated the district’s non-discrimination policy.  The parent asked why the cast did not “represent the demographics of the school district” and why a deliberate effort was not made “to ensure diversity in the cast.” The parent further said that even if the organizers of the play did not intend to discriminate, they did so “in the most overt and egregious manner.” For more than a year, district officials tried to keep the complaint and the resulting investigation out of the news. Now the investigation is out, and it found that indeed the casting did violate the policy.

I didn’t have to read the whole article, or much of it at all, to guess what happened. All I needed to know was that a high school with a diverse student body had chosen “The Sound of Music” as its annual musical. Everyone has seen the movie, and knows that it is about the cutest Austrian family on Earth stocked with a group of brothers and sisters whose ascending ages and heights constitute the most vivid visual image of the play.  High schools seldom produce this musical, for exactly these reasons. A theater department barging ahead with this Rodger and Hammerstein classic will be instantly risk appearing to exclude anyone who isn’t so white that their brilliant gleam will blind the audience (and African-American Nazis are even more jarring than  Hispanic-American and Asian Austrians), or it must commit to the most show-undermining non-traditional casting imaginable. There isn’t even a true choice: if you produce this show in a public school, you have to be ready to cast a black Maria, brown Nazis, Asian Austrian nuns and a brood of Von Trapps that suggests that the Captain was rather naughty in his travels, if admirably open to amorous affections regardless of race, color or creed. Continue reading

Morning Ethics Warm-Up: 7/20/17

Καλημέρα!

[This is pronounced “Kaliméra!,” not to be confused with “Calamari!” My father frequently got them confused when he visited Greece with my mom, the former Eleanor Coulouris, and embarrassed her by greeting the natives some mornings by cheerily saying, “Squid!]

1. The newspaper Arts section headline says, “Mayor Ties Arts Money To Diversity.”

The mayor in question is New York City’s DeBlasio, and since his own family is “diverse,” naturally every other entity has to be, or it is baaaad. This is why I oppose government funding of the arts unless it guarantees that the nation, state or city will not attempt to use its support to control the arts organizations in any way.  Of course, governments will never do that, because manipulating the arts to advance  political agendas is usually the underlying motive in arts grants. Ideologues like De Blasio—wow, he’s terrible—will constantly be grandstanding and doing everything in their power to manipulate artists and their art to ensure that they send the “right” messages—you know, like Nazi art and Communist art. It is exactly the same theory and practice: art as political indoctrination.

Quick: who thinks that De Blasio will be focusing on “diversity” in the management (or on the website) of the Dance Theater of Harlem? Even if the government doesn’t attach strings to its support, arts organizations know that there are more of them than there is tax-payer money to disperse, so there is terrible and often irrsistable pressure to distort their product to give their state funders what the artists think they want—just to be safe.

My professional theater company refused to do that, sticking to the integrity of our mission and not resorting to tokens and virtue-signalling. My now defunct professional theater company, that is.

2. Yesterday, I highlighted the head-blasting comments of New York Times film critic A.O. Scott and his alternate-universe pronouncements about the Obama presidency. To be fair to A.O., his entire profession is packed with historical and political ignoramuses who make their readers dumber with every review. I once created a theater reviewer’s code of ethics, which I mailed to a critic, who sent it back to me with a note that said, “Mind your own business.” Years ago, I published an essay that was called “Why Professional Reviewers Are Unethical,” that began,

When Variety announced that it was firing its in-house film and drama reviewers, there was much tut-tutting and garment-rending over the impending demise of professional reviewing in magazines, newspapers and TV stations. The villain, the renders cry, lies, as in the Case of the Slowly Dying Newspapers, with the web, which allows any pajama-clad viewer of bootleg videos to write film reviews, and any blogger who cares to write a review of a play. “I think it’s unfortunate that qualified reviewers are being replaced,” said one movie industry pundit, “but that’s what’s happening.”

I say, “Good. It’s about time.”

It’s not happening quickly enough, though. “Dunkirk” is opening this week, and, as I predicted, film reviewers are showing their utter historical ignorance. The Washington Examiner skewers them deftly in an essay called “Why the (True) History of Dunkirk Matters.” Highlights, or rather lowlights:

  • USA Today critic Brian Truitt complains that “the fact that there are only a couple of women and no lead actors of color may rub some the wrong way.” He is not the only film critic to observe this.

Morons.

  • Slate.com critic Dana Stevens claims that the British Army at Dunkirk was the “last bulwark against Nazi invasion of the British mainland.”

Not even close to true. Continue reading

I Finally Saw “O.J.: Made In America,” And I Am Depressed

Inspired by the upcoming parole hearing, in which double knife-murderer O.J. Simpson is expected to be paroled (and should be), I decided to watch a much-praised documentary series that I had thus far avoided.

Ezra Edelman’s “O.J.: Made in America” (not to be confused with “The People v. O.J. Simpson: American Crime Story,”the dramatic TV mini-series starring Cuba Gooding, Jr. as the fallen football great, released the same year ) is a 2016 documentary produced for ESPN Films and their 30 for 30 series. I saw it a few days ago. I’m sorry I did.

Not that the film isn’t excellent, thorough, fair and though-provoking. It is. Nor was there too much in it that surprised me. Simpson defense attorney Carl Douglas gloating over how the defense team unethically and dishonestly altered Simpson’s home to deceive the jury made me want to punch him in his smug face, but I already knew about that outrageous tactic. Seeing Mark Furmin on the stand invoking the Fifth Amendment when he was asked whether he had ever planted evidence at a crime scene made me want to gag, but it made me want to gag when I saw it live. One more time, I was convinced that the prosecution had so botched the case that there was plenty of reasonable doubt for a jury to employ to acquit O.J., just as it was obvious from the trial that he was guilty as sin. All of this I expected.

I did not expect to be so emotionally troubled and ethically disoriented by the conclusion of the film, in which one African-American after another, most of them speaking in the present day, tells the camera with various levels of offensiveness that O.J.’s acquittal was a great moment for black America, a form of redemption, pay-back for centuries of abuse and decades of  discrimination by police and the justice system, proof that the system can work for African Americans and not merely against them, a well-earned poke in the eyes of white America, sweet vengeance and retribution, and a result to be honored and cherished as victory for blacks everywhere.

A prominent minister and civil rights leader actually compares Simpson’s acquittal to Jackie Robinson breaking baseball’s color barrier. I wonder what Robinson would have thought about that comparison. Continue reading

Morning Ethics Warm-Up: 7/19/17

Yeah? What’s so “good” about it? HUH? Well?

1. In an article/discussion about the impact of George Romero, the zombie genre creator who died last week, New York Times film critic A.O. Scott said, and I’m not making this up,

A few years ago, when I did a Critics’ Pick video on [Romero’s “Night of the living Dead,”], I hinted that [the film’s African-American hero’s]death could be read as a prophecy of Barack Obama’s presidency: A calm and competent African-American saves the white people from their own rashness and stupidity (as well as from zombies) and is destroyed. Now, of course, the prophecy seems all the more chilling. The casual, unapologetic and ultimately self-destructive violence of white supremacy is the true and enduring horror of American life.

Wait…What?

This insulting, counter-factual, absolutely crackers statement may be an opinion, but it is so stunningly biased and warped that it should have set off ethics alarms at the Times, if any exist. If the film critic could say this in print, he says it among his colleagues. If he has said it among his colleagues and no editor, pundit or colleague has grabbed him by the lapels and said, “What the hell are you talking about, man? You better keep that crap to yourself, because it embarrasses the paper. Better yet, I think you need a vacation!”, then this strongly suggests that almost everyone at the Times is marinating in a crippling fantasy culture that makes independent, objective, trustworthy reporting and punditry impossible.

A.O.’s statement self-destructs at “calm.” Obama “saved” nobody; in fact, he either deliberately or incompetently degraded the one area of our society he was elected to improve: racial harmony and respect. How does a black character’s death (the movie’s hero is shot by authorities who assume he is a zombie) “prophecy” the fate of Barack Obama, elected President twice, cheered upon his leaving office, and immediately rewarded with historical revisionism, obscene speaking fees and a book contract? [I hate to cavil, but it really needs to be pointed out that the Duane Jones character in “Night of the Living Dead,” far from saving the white characters, gets them eaten and zombified by adamantly rejecting one obnoxious white man’s insistence that they should all just lock themselves in the basement. After all those white people the Obama-like hero  “saved” according to A.O. are ambulatory brain-eaters, he survives the zombie onslaught—by locking himself in the basement! I suppose this “prophesied” leading from behind.]

The critic’s statement is thinly veiled anti-white racism, bubbling up from the concentrated anger and Trump hysteria at the Times. White supremacy. Sure, A.O. I won’t be reading any of your reviews anymore, nor your fellow critic Jason Zinoman, who either agrees with your fanciful and hateful assessment, or didn’t have the integrity to tell you that you are paranoid and nuts on the record. Either way, he is also a fool. I don’t care what either of you think about movies, since you view them through bullshit colored  glasses.

2. I have three times now prepared to write a post about what I now call Anti-Trump porn at the Times, highlighted every week by the Sunday Times “Review Section.” Last Sunday was another one. This section’s obsession is stunning: the section is loaded with unrestrained Trump hate, ad hominem insults and hysteria and  from every perspective. I would think other Times readers would be bored, not to mention alarmed, by this monotonous vive and broadcast of bias (An unbiased newspaper would not allow one topic and one point of view to monopolize its weekly commentary section), but apparently the Times readership is insatiable.

The res ipsa loquitur feature this time was an editorial cartoon by Art Spiegelman, who is a brilliant cartoonist when at his best. Like most cartoonists of a political bent, he is all ideology and advocacy, and pretty much devoid of respect for facts and balance. Here was his comment after November 8:

“I see something similar to Hitler in that it’s gone very fast to things that seem surreal to me, like Trump supporters shooting four civilians at a polling place in California – one of them died. And there’s the slide towards uncivility, from what I read on the internet. For the first time I got to see my name with three parentheses signs around it. I don’t think it was a secret that I’m Jewish, but they were making sure that the alt-right people would know that I was Jewish. That’s just something I saw a couple of days ago. ‘Oh, I see. OK, it’s a new day.’ And at this point we don’t care about refugees’ lives. They’re not white lives. So yeah, sure, I’m worried.”

Shut up and draw, Art. Trump supporters did not shoot four civilians at a polling place in California. Middle East refugees are white. And Art must not check the internet very often, if he judges any single  excess or outrage as proof of anything. His was a statement of pure intellectual laziness, bias, bigotry and hysteria—but never mind, political cartoonists don’t have to be fair, accurate or responsible. They just have to communicate what a biased paper’s editors know even its own biased pundits couldn’t get away with, and have the defense that “it was just supposed to be funny!”  Thus here was the Spiegelman cartoon featured on page two of the Times’ Review section last Sunday: Continue reading

Ethics Dunce: Attorney General Jeff Sessions

There were many good reasons to oppose Jeff Sessions as President Trump’ nominee to be the next Attorney General. One, which I focused on, was that his nomination foolishly fed into the Democratic slur that Trump and the Republicans were racists. Sessions had been successfully tarred decades ago based on some racially-insensitive comments he had made, and even though tangible evidence of any racial bias was thin, it was foolish for Trump to court a controversy when there were plenty of equally or more qualified candidates. Another reason was that Sessions had been an early supporter of Trump’s candidacy for the GOP nomination, which is signature significance for stupidity, poor judgment or recklessness. Take your pick.

Now Sessions has announced, while speaking at a National District Attorneys Association conference, that the Justice Department will issue new directives to increase the federal government’s use of civil asset forfeiture, an unethical, Constitutionally dubious practice that needs to be cut back or eliminated.

“[W]e hope to issue this week a new directive on asset forfeiture—especially for drug traffickers,” Sessions said. “With care and professionalism, we plan to develop policies to increase forfeitures. No criminal should be allowed to keep the proceeds of their crime. Adoptive forfeitures are appropriate as is sharing with our partners.”

 

Utah’s Republican Senator Mike Lee expressed alarm at Sessions’ announcement yesterday, saying in a statment, “As Justice Thomas has previously said, there are serious constitutional concerns regarding modern civil asset forfeiture practices. The Department has an obligation to consider due process constraints in crafting its civil asset forfeiture policies.” Justice Clarence Thomas’ had written in his dissent in an asset forfeiture case last month that forfeiture operations “frequently target the poor and other groups least able to defend their interests in forfeiture proceedings.” Continue reading

Morning Ethics Warm-Up: 7/12/17

Good Morning, everyone…

1. “Morning Joe” Scarborough went on “The Late Show With Stephen Colbert”-–where President Trump is officially referred to as Putin’s “cockholster”—and played to the anti-Trump audience by announcing that he was leaving the Republican Party as cheers rang out in Colbert’s echo chamber. More blatant pandering virtue-signaling and grandstanding would be hard to imagine.

Scarborough has followed up his short, undistinguished  career as a conservative GOP congressman by playing on-air conservative foil to his supposedly opposite-minded  co-host Mika Brzezinski on MSNBC while that network attacked Republicans on every show and all day long. In really, we have learned, he and Mika were sufficiently sympatico to be having a romantic affair while posing as journalists, meaning that the whole format was an act as well as an extended date. Scarborough was also complicit in helping Trump to the nomination of Joe’s alleged party by promoting him until he had nabbed the nomination. Once the Miracle of November 8, 2017 occurred, Joe made the obligatory U-Turn.

Never mind: I don’t care how Scarborough or anyone else registers; what matters is if they have the integrity to vote for the best candidate whatever party he or she represents. I do care that Scarborough used the smear that President Trump is a racist, and expressing to Colbert his disgust that GOP lawmakers, he claims, have refused to admonish Trump’s “racist” statements and election promises.  This is another sloppy chunk of the anti-Trump false narrative, and by resorting to it, Joe proves, not that he isn’t a Republican, but that he is a race-baiting character assassin.The evidence that the President is racist is elusive, but the smear is repeated among the resistance as truth so frequently that it has reached Big Lie status.

2. In February, the left-biased, Trump-reviling Huffington Post purported to list “16 Examples” of Trump “being a racist.” The whole campaign, his whole career,, with Democratic groups and activists repeating the slur for months, and this was what they could scrape up. (Spoiler: it’s pathetic…) Continue reading

Case Study: When You See Racism Where There Is None, I Really Don’t Care What Else You Say Is Racist

I’m shocked, shocked that this embarrassing and ridiculous episode emanated from a Black Lives Matter leader!

Deray McKesson, one of the most visible and vocal  leaders of the Black Lives Matter movement, announced on Twitter that he was personally offended by the costuming  in the new “War for Planet of the Apes” movie. Some of the conquering apes were wearing vests like the one he always wears! Obviously the film was making a racist statement about Deray McKesson! Why, this was like the Donald Trump clone being assassinated in “Julius Ceasar”! The activist tweeted,

He really did. Here is a movement that has sparked violence, divided college campuses, prompted attacks on police, caused deaths and NFL grandstanding, and one of the key individuals at the center of it is so conditioned to see racism behind every shadow, cloud and wisp of breeze that he thinks a science fiction movie is targeting him personally.

(Psst! Deray! The movie isn’t insulting you, because most people don’t know who you are, and as your conduct here demonstrates, have no reason to , because you are a silly, divisive, racist and race-obsessed narcissist with an outlandishly inflated view of your own importance.) Continue reading