Race

Morning Ethics Warm-Up, 7/16/2020: Dreadlocks, Kareem, Scrabble And “Political Slogan? What Political Slogan?”

/ Jack Marshall / 22 Comments

1. This Morning’s Grovel: A white Seattle hairdresser apologized profusely for daring to wear dreadlocks. The key quote: “I have come to understand—far too belatedly—that my hairstyle is harmful.”

To lightly paraphrase Orwell: ‘She loved Big Brother.’

It’s hard to work up any sympathy for people like Irene—weak, ignorant, unwilling to stand up for basic  human rights, like being able to wear your hair any damn way you want to. This is yet another of the one-way “rules” that are being delivered by edict as an alleged remedy for “systemic racism”: Blacks can do anything they want to, whites are severely limited. The hair rules: black women can straighten their hair, dye it blonde, adopt any style the choose as a method of self expression, but a white woman who chooses dreadlocks has “harmful hair.”

Those who won’t stand up for their own liberties deserve to lose them. Irene is a fool, and betraying the values of her country. Continue reading →

Ethics Observations On The Nick Cannon Meltdown

/ Jack Marshall / 34 Comments

This is the kind of story that makes me doubt my own cultural literacy. Until the controversy involving Nick Cannon, I had never heard of the guy, and wouldn’t recognize him if he walked into my living room.  Yet he’s been around for 20 years as a juvenile TV star, a rapper, comic, actor, producer, director, the TV host of all sorts of shows I didn’t watch, and since 2012 he’s had his own show on MTV called “Wild and Out.” He also has a podcast.

The news that ViacomCBS had fired Cannon resonated throughout the popular media, and qualifies, apparently, as a Big Deal. In the June 30 installment of Cannon’s podcast, “Cannon’s Class,” he interviewed Professor Griff, a rapper who was a part of the group Public Enemy before being forced out after he said in an interview with The Washington Times, “The Jews are wicked. And we can prove this.” He also said that Jews were responsible for “the majority of wickedness that goes on across the globe.”

“I’m hated now because I told the truth,” Griffin told Cannon, who was immediately sympathetic. “You’re speaking facts,!”  Cannon said. “There’s no reason to be scared of anything when you’re speaking the truth.”

After referring to Dr. Griff as a “legend,” Cannon said he wished that Louis Farrakhan, the anti-white demagogue with a long history of anti-Semitic comments, had not been blocked by Facebook.

Then Cannon endorsed Griffin’s contention that six dominant media companies were controlled by Jews, comparing it to the power of the Rothschilds, the banking family at the center  of various  anti-Semitic conspiracy theories. “I find myself wanting to debate this idea and it gets real wishy and washy and unclear for me when we give so much power to the ‘theys,’ and ‘theys’ then turn into illuminati, the Zionists, the Rothschilds,”  Cannon said later in the podcast.

Got it. He’s an anti-Semite. Continue reading →

KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture

/ Jack Marshall / 45 Comments

Now this  is res ipsa loquitur.

My head exploded when I saw what you will see below, so you are warned. The racist chart  is from the anti-white section of  the  Smithsonian’s National Museum of African American History and Culture’s  web page.

The page and its agitprop are also anti-black: hard work, punctuality, believing in cause and effect, “rational thinking,” respect for authority, and civility  are all manifestations of “whiteness”, according to the museum. Writes Rod Dreher, obviously post head-explosion…

Did David Duke write this stuff? It’s crazy! If a white man said that black people are lazy, can’t keep to a schedule, have no respect for authority, can’t think straight, are rude, etc. — he would be rightly criticized as racist. But there it is, at the taxpayer-funded National Museum of African American History and Culture. Why? Why do we pay for this racist propaganda? …

The museum teaches black people that being on time for work is racist oppression. Don’t believe me? Look. … I can’t get over this. If you assume that everything these curators say below is true, then you can explain a great deal of the chronic problems within black America. What kind of neighborhood would you expect to have if most of the people in it devalued hard work, rejected the idea that they needed to be on time, refused to defer gratification, did not respect authority, sought out conflict, laughed at politeness, rejected the traditional family model, and so forth? You’d have communities that were beset by crime and generational poverty, without the cultural tools to overcome the chaos. There are plenty of white people in this country who live by similar rules — and they’re chronically poor too.

Hold on to your skull! Here is the chart: Continue reading →

Ethics Dunce: Gary Garrels

/ Jack Marshall / 7 Comments

The carnage of the George Floyd Terror, aka George Floyd Freakout, aka George Floyd Ethics Train Wreck, claimed another victim yesterday, and Ethics Alarms is designating him the Ethics Dunce. We really need a new category for people like Gary Gerrels, the now ex-senior curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA). Placed in a position where he could take a strong  position against unhinged woke bullying, when every element of common sense, integrity, fairness and reality was aligned in his favor, he prostrated himself to the mob. “Ethics Coward,” perhaps? “Ethics Weenie”? “Ethics Fool”? “Useful Ethics Idiot”?

Garrels  triggered the process of his cancellation by concluding a presentation on how to diversify the museum’s holdings by saying, “don’t worry, we will definitely still continue to collect white artists.” In a ZOOM meeting of museum employees, Garrels  voiced a similar position, saying  that the museum could not avoid collecting the work of white men, which he described as “reverse discrimination.” Shortly thereafter employees created and began signing an online petition demanding that he leave the museum.
Continue reading →

In Defense Of The Terrorist: Clarence Darrow Eulogy For John Brown

/ Jack Marshall / 13 Comments

In the ongoing debate here regarding what constitutes a great American—sparked by reader valkygrrl’s guest post on the topic as well as the President’s recent remarks at Mount Rushmore, the question of whether abolitionist John Brown belongs has been the most contentious. I don’t believe that one can ethically assign a murderer and law-breaker (and unraveling fanatic) like Brown to the “great American” category,  but a figure unquestionably smarter than I whom I believe unquestionably was  one of the greatest Americans did, and his argument deserves attention and thought. That figure is Clarence Darrow.

Brown was much admired by Darrow’s iconoclast father, Amirus Darrow, and his mother was an anti-slavery activist, turning the Darrow home into a stop on the Underground Railroad.  Born in 1857, Darrow was too young to remember the pre-Civil War period, and Brown was hanged in 1859. Nonetheless, the admiration for Brown was passed on from father to son, and there are moments in Darrow’s career where his actions seemed consistent with Brown’s philosophy of the ends justifying the means when the stakes were important enough, notably the conduct that almost got him disbarred and imprisoned for jury tampering. (Darrow was guilty, but was acquitted because he had a great defense attorney—Clarence Darrow.)

John Brown was a hero of Darrow’s , who didn’t have many: the abolitionist, Voltaire, and his friend and mentor John Peter Altgeld were about it, as far as I can tell. Periodically, on the anniversary of Brown’s birthday (May 8), Darrow would give a speech eulogizing Brown to a progressive group. Its final sentence is the most quoted:

The radical of today is the conservative of tomorrow, and other martyrs take up the work through other nights, and the dumb and stupid world plants its weary feet upon the slippery sand, soaked by their blood, and the world moves on.

Incredibly, Darrow’s John Brown Eulogy is impossible to find on the web now; I have no idea why. (Enter that sentence in Google, and what pops up is…me!) Thus I am  reproducing Darrow’s speech here, for two purposes: first, to let you consider Clarence Darrow ‘s argument for why we should honor John Brown, and second, to have an online home for it.

It is not the whole speech, but my own shortened and edited version. I am still hunting for the whole document in a form I can post (I have it in several books), and when I find it, I’ll substitute the complete version for this: Continue reading →

Has The Freakout Reached Peak Insanity Yet? Based On the Following, Evidently Not…

/ Jack Marshall / 19 Comments

What’s going on here?

Robin Broshi a member of the NYC Community Education Council, told  a colleague during a meeting: “It hurts people when they see a white man bouncing a brown baby on their lap!”

He responds, “I would like to know how having my friend’s nephew on my lap was racist.”

She replies: “Read a book! Read ‘White Fragility’!”

Imagine: this is a woman who has input into the education of New York City children.

Well, one utter lunatic is still less problematical than this: the United Teachers Los Angeles, a 35,000 member  union in the Los Angeles Unified School District issued a policy paper   that called called on local authorities to “keep school campuses closed when the semester begins on August 18, and outlined  provisions it says will be necessary to reopen schools again, including sequestering students in small groups throughout the school day, providing students with masks and other forms of protective equipment, and re-designing school layouts in order to facilitate “social distancing.”

Okay. Teachers have legitimate input in these decisions. However, the union has other demands. Continue reading →

Comment Of The Day: “Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally”

/ Jack Marshall / 10 Comments

I have a couple of Comments of the Day on the runway and a guest column too, but when Steve-O-in-NJ delivered one of his epic epistles—I think they transcend “comments”—of Alizia Tyler length, I had to choose it to end the day. The topic is one Ethics Alarms has discussed in recent week: the disturbing similarities between the Red Scare and McCarthyism and the current George Floyd Freakout.

Here is his Comment of the Day on the post, “Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally”:

I dub this the White Scare.

No doubt there are still a few people who have nightmares of the living nightmare of sitting uncomfortable and squirming in the lowest seat in the Senate chamber. You sit alone before an intimidating array of microphones, all eyes on you, questions being fired at you like crossbow bolts from every angle about anything and everything. You don’t exactly know how you got there, maybe someone said your name was mentioned in connection with some gathering or that you said or wrote something that concerned them. Your finances, your job, your friendships, your family, nothing is off-limits. Question after question, hour after hour, it drags on until you forget when it began and have no idea when it will end. Letters you wrote years ago, conversations you barely remember having, meetings you remember attending, but can’t remember who else was there, leave alone the subject, the questions keep coming. As you shake inwardly, your shirt soaked from the stress of the interrogation and the fear of its consequences, the stern-faced Senator Joseph McCarthy of Wisconsin fixes you with a glare like God throwing the Egyptian host into a panic and thunders possibly the most dreaded question in history, “Are you now or have you ever been a member of the Communist Party?” Refuse to answer, give the wrong answer, claim not to remember, or equivocate, and you are finished, tarred as a “Red,” a Communist, someone in league with the most evil regime then in the world, and the second or third worst ever, against America, the Constitution, and everything that was good.

If you have few friends when you sit down in this loneliest chair in the world, you could well have none when you leave it. There’s a very good chance that if you held a security clearance it will be revoked, because there are just too many maybes for you to be trusted. There’s a good chance that you will lose your job as you can’t hide or scrub off the red stain. There’s a very good chance your life and your family’s life will collapse or be greatly damaged or diminished. Continue reading →

Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

/ Jack Marshall / 17 Comments

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part 2: Give My Demands To Broadway…)

/ Jack Marshall / 22 Comments

Upon careful consideration, I think this clip is the fairest representation of what black theater activists on Broadway are advocating:

In Part I of this series, we discussed the dead-end strategy recently pursued by the performing woke of imposing one-way limitations on which actors could portray what roles. Across the full range of group grievance activism, everyone is rushing to try to exploit and capitalize upon the George Floyd Freakout, perhaps recognizing that the present state of self-flagellation and submissiveness by white decision-makers, governments, businesses and other institutions won’t last forever. In their haste, many groups—in this I would include the “resistance,” Democrats and the news media among others—are metaphorically cutting their own throats. This is especially true of the theater community.

A coalition of theater artists called “We See You, White American Theater” has posted online a 29-page set of demands that if adopted, the New York Times opines, “would amount to a sweeping restructuring of the theater ecosystem in America.”

Wrong, Bias Breath! If adopted, the demands would kill commercial live theater, and it is more than half dead already, though most theater community members are in denial.

The list reminded me of the bad old days of the 1960s, when student anarchists, protesting the war in Vietnam, would take over university buildings and then, thinking that they had the upper hand, would submit a list of demands including the Moon and the kitchen sink, many of which had nothing to do with the war at all.  This list of demands makes those look reasonable, one reason being that simply reading the 29 pages of arrogant woke-speak is a task few will have the patience to undertake.

I’ll just focus on some highlights. (By the way, you need to know that BIPOC means “Black, Indigenous and People of Color”):

  • “We demand the naming and acknowledgement of American Indian, Alaska Native and Native Hawaiian tribal land and its Native peoples who have lived, currently live, and will live on the land where any theatre activity happens.”

I hate to keep having to break it to these naifs, but theater is just not that important to most people, particularly those in power. “We have to rename Indianapolis to have theater here? OK—we won’t have any theater then! Problem solved!”

This one is worth repeating in full: Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

/ Jack Marshall / 16 Comments

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading →