I guess no good deed really does go unpunished: I stand up for the vile and hateful comedian’s legitimate use of “nigger” in a witticism on live TV, and the former host of “Politically Incorrect” caves to political correctness, which he has sworn repeatedly that he will never do.
What a spineless, hypocritical weasel.
In 2011, when Maher was asked about calling Sarah Palin “a cunt” and “dumb twat,” Maher was bold and unbowed:
“Well, you know, I’ve been through this so many times. There’s a lot of people in America who have, of course, nothing to do except look for something to get mad at. And I’ve been a frequent target and I’m happy to provide that service. So, you know, I always say, as I’ve said many times in these kind of situations, if I hurt somebody’s feelings, I’m always sorry about that, I’m not trying to hurt somebody’s feelings. But if you want me to say I’m sorry what I said was wrong, no, sorry, I can’t go there.”
I guess what he meant is that he can’t go there when he’s only using vile language to denigrate conservative women who feminists and NOW don’t regard as worthy of their alleged principles, in attacks that make his ideologically sympatico crowd secretly snicker and chuckle because those twats deserve it.
This time, however, he offended the all-powerful race grievance lobby by calling himself—himself!— a “house nigger,” in a “Gone With The Wind” reference prompted by a Republican Senator asking him if he’d do field work. Lacking the integrity and fierce belief in the Jester’s Privilege that he has proclaimed before when it wasn’t progressives carrying the torches and pitchforks, Maher capitulated like Galileo, even though in this case, he had been neither vicious nor insulting, just “offensive” to those who want to ban words—you know: liberals.
The hypocrite said, Continue reading
Filed under Arts & Entertainment, Character, Ethics Alarms Award Nominee, Ethics Dunces, Etiquette and manners, Gender and Sex, Humor and Satire, language, Literature, Popular Culture, Professions
When Bill Maher participated in the lowering of civil political discourse and the escalation of hate and ad hominem rhetoric in the culture by calling female Republican figures “cunts” and “twats’ as his leftist studio audience squealed with delight, there was no significant objections from NOW or other feminsits entranced by his anti-conservative fervor, nor were mainstream media liberals in the pundit ranks overwhelmingly indignant. After all, Sarah Palin and Michelle Bachmann didn’t deserve civility, and besides, it was just a joke! Maher’s pass on breaching basic rules of decorum in public speech greased the slippery slope that led us to “cockholster” and beheaded Presidents today. In addition, the double standard was established that vulgar and gross gutter language was acceptable when aimed at conservatives, but only conservatives. Is there any question whether Maher would still be leaving his slime trails at HBO if he had called Hillary Clinton, Diane Fienstein, or Michelle Obama a cunt?
Nevertheless, the principle at issue is that we all have an ethical duty to extend basic human respect to our fellow dwellers on this planet, or civilization rots and falls apart in chunks. Indeed, this is the duty too many progressives and Democrats have been breaching in their treatment of the President of the united States for the past six months. Entertainers and comedians get some special dispensations, but they need to be sternly rebuked when they abuse the privilege by using it to express hatred and to spread intolerance. We do not ban words in the United States. We do reserve the right to regulate conduct in the interests of out democratic and pluralistic ideals, often by expressing vocal disapproval.
Which brings us back to Bill Maher. On Friday’s edition of Maher’s “Real Time,” Maher was verbally fencing with Republican Nebraska Republican Senator Ben Sasse. At one point—the context doesn’t matter—Sasse facetiously invited the host to “work in the fields.”
“Senator, I’m a house nigger!” Maher said , quickly adding, in response to some audible gasps, “It’s a joke.” Continue reading
While we’re on the topic of “hate speech”…how about “hate paintings”? At public universities? Painted by faculty members?
An art gallery at the University of Alaska-Anchorage this month displayed the painting above, depicting actor Chris Evans as Captain America and holding the severed head of President Trump while Hillary Clinton grasps Cap’s legs like she is a slave girl and he is Conan the Barabarian. The artist is UAA Painting Professor Thomas Chung, who created the masterpiece as part of a faculty art program. Naturally it was accepted, just as it would have been if he had painted Thor holding up President Obama’s severed head. Of course it would have been accepted. After all, art is art. Academic freedom. Right?
Chung explains the artwork as something he chose to paint because he was upset at the results of the 2016 election. “I spent days just weeping,” he has said. Campus Reform quotes him explaining his decision:
“I was really torn about putting this piece up at a faculty show, because I would never talk about my own political beliefs to my students. But I realized that I feel very strongly about this, and I think even students that might be pro-Trump supporters could benefit from having a conversation with me about why I feel this way—why I painted this.”
(By the way, the actual painting shows Evans/Captain America’s sex organs. None of the versions on the web do, though. Sorry!)
Random ethics observations, since I fear that painting may have caused some brain damage and I can’t seem to organize a coherent paragraph: Continue reading
Atlanta’s Out Front Theatre Company’s production of “The Most Fabulous Story Ever Told” opens on April 27, but Paul Rudnick’s 1998 silly comedy that recasts Bible stories with all gay characters is being protested as blasphemous. The outraged in this case is the conservative Catholic group America Needs Fatima, whose members are particularly offended by the spoof’s portrayal of the Virgin Mary as a lesbian. It has an online petition demanding that Out Front’s Artistic Director Paul Conroy cancel the production.
Sure. Like that’s going to happen.
“I fear God’s wrath will fall upon us if reparation is not made,” the hysterical screed concludes. Over 40,000 hysterics have signed it. Yes, I’m sure that God has nothing better to do than to punish humanity for a theatrical production of a 20 year-old comedy in Atlanta. The group then threatens to oppose the play “loudly, peacefully, and legally in as large a protest as we can help make possible” if the production goes forward. Idiocy, of course. Last I heard, nobody is forcing anyone to go to see the play, and the First Amendment is pretty clear about the ability of the law to censor performances based on content. The contention from the religious right in this case mirrors the Left’s fervent efforts at the moment to censor speakers they don’t agree with and “hate speech.”
If you don’t think that you will enjoy a play, the remedy is not to go see it. Simple as that. Trying to interfere with the production in any way, or to prevent those who want to see a production in which Adam and Eve become Adam and Steve, is unethical. It is also directly contrary to the principles the United States was founded to ensure.
Okay, that settles that.
Now about Out Front Theater Company….