Monday Morning Ethics Calisthenics, 7/19/2020: Fig-Heads!

1. Our trustworthy news media, which we can trust to behave like this... From my AOL news feed: “Trump says he may not accept 2020 election results.” From the transcript of the Chris Wallace interview that the headline is referring to:

WALLACE: Are you suggesting that you might not accept the results of the election?

TRUMP: No.

What the President would not do is promise to accept the results if there were a  valid reason not to accept the results. Once Al Gore challenged the Florida vote count after Bush had been declared the winner in 2000, the long standing precedent, followed by election losers like Andrew Jackson, Samuel Tilden and Richard Nixon, all of which had reasons to question the results in their contests, of accepting defeat without a challenge was erased. If any of it remained at all, Hilary Clinton’s pursuit of some way of reversing the Electoral College tally in 2016 completed the job. Trump’s refusal to promise a return to the old tradition is reasonable,  especially with the chicanery enabled by mail-in ballots. What Joe Biden has suggested, despicably, is that Trump will not give up the Presidency even if he is defeated unequivocally and fairly. There is no justification for suggesting this. There is far more reason to believe that any Trump victory, even a resounding one, will send angry and frustrated Democrats into the streets

Trump, as usual, was trolling with his coy response here…

WALLACE: There is a tradition in this country — in fact, one of the prides of this country — is the peaceful transition of power and that no matter how hard-fought a campaign is, that at the end of the campaign that the loser concedes to the winner. Not saying that you’re necessarily going to be the loser or the winner, but that the loser concedes to the winner and that the country comes together in part for the good of the country. Are you saying you’re not prepared now to commit to that principle?

TRUMP: What I’m saying is that I will tell you at the time. I’ll keep you in suspense. OK?

TRUMP: And you know what? She’s the one that never accepted it.

WALLACE: I agree.

TRUMP: She never accepted her loss and she looks like a fool.

This isn’t a topic he should be playing with, because the Democrats and the news media will claim that something sinister is in the works. Trump gives a strong hint of his real meaning: if Hillary looked like a fool by refusing to accept the election results, he wouldn’t want to behave like Hillary. But the President should have simply said, “If I lose, fair and square, of course I will accept the results.”

He also should have answered Wallace’s question as I would have, by saying, “Chris, the tradition you speak of has been rejected twice by losing Democratic candidates since 2000.”

2. There’s no excuse for this in 2020. I could not believe my ears as I watched “Three Billboards Outside Ebbing, Missouri”last night.

I thought that a TV version of “The Hard Way” (1991)  I watched a bit of until I couldn’t stand any more had wrapped up the all-time prize for idiotic Bowdlerization of movie dialogue with such substitutions as “slug in a ditch” for “son of a bitch.”  I mistakenly assumed that the days of red-penciling movie dialogue on the theory that a film’s audiences would be made up of six-year-old Mennonites and 88-year old nuns were long gone. But here was a a 2017 movie with a lot of rough language being made ridiculous by word censorship. “Fuck” was alternately represented by “flock,” “flip,” and “freak.” “Mother-fucker” became “flipper”—in a bar scene, I at first thought a fight started because one character called another a dolphin. “Bitch” for some reason was removed in favor of the word “cuck,” except it was pronounced like “cook.” A character complained about there being “too many cucks in here,” and for a second I thought I was watching “The Great British Baking Show.” All of these strange words ruined the movie, first because the silly replacements turned a smart and moving drama into a absurdist Monty Python skit, and second because the word substitution was so eccentric that I was constantly taken out of the story by wondering, “What word was supposed to be in there?”

In one scene, the protagonist played by Frances McDormand burst  into the police station calling the officer played by Sam Rockwell a “fig-head.” Another officer indignantly shouts at her, “You can’t come in here and call a law enforcement officer a fig-head!” Wait–what the hell is a fig head?

This is incompetent and unfair to the film, the artists who made it, and the audience.

3. OK, I admit it, I have no idea what Kanye West is doing. And I don’t care. After announcing he was running for President, then implying that he wasn’t, the mentally ill rapper held a campaign event yesterday highlighted by his criticism of Harriet Tubman on the grounds that she “never actually freed the slaves, she just had them work for other white people.”

This is gallactically stupid, but it’s still smarter than Candidate Trump’s criticism of John McCain’s war heroism. At least Tubman, her family and friends aren’t alive to exact their revenge on West should he get elected.

Ethics Warm-Up, 7/19/2020: And The Hits Just Keep On Coming!

1. Final plug, as the bat above (and in my hands) reminds me: If you are set up with Zoom (it’s free, you know), you still have time to register for the Smithsonian Associates program  tomorrow evening (at 6:45 pm, EST) wherein I hold forth on how baseball has influenced American culture, values and history. Yes, it’s $35 bucks, but it goes to a good cause, and may help the Institute hire more competent employees who don’t peddle junk like the chart on “whiteness.” You’ll be able to ask questions, and I’m storing these experiences for the Ethics Alarms Zoom experience to come. Read all about it here…

2. If a left-wing dim bulb like Jonathan Chait can figure this out, surely more are to follow. He writes in New York Magazine…you know, where Andrew Sullivan was regarded as too conservative?

The ideology of the racism-training industry …collapses all identity into racial categories. “It is crucial for white people to acknowledge and recognize our collective racial experience,” writes [ Robin DiAngelo, of temporary White Fragility” fame,] whose teachings often encourage the formation of racial affinity groups. The program does not allow any end point for the process of racial consciousness. Racism is not a problem white people need to overcome in order to see people who look different as fully human — it is totalizing and inescapable. Of course, DiAngelo’s whites-only groups are not dreamed up in the same spirit as David Duke’s. The problem is that, at some point, the extremes begin to functionally resemble each other despite their mutual antipathy…. In some cases its ideas literally replicate anti-Black racism.”

Ya think??? Continue reading

A Sunday Morning Ethics Quiz: “Ass and Boobs” vs. “The Camel’s Toe” [Corrected]

Roenick, Lipinski and Weir. Wait…Johnny Weir is gay?

Ex- pro hockey star Jeremy Roenick has sued NBC Sports for wrongful termination, claiming the network discriminated against him as a heterosexual. At issue is his firing in February of this year for saying,  during a Barstool Sports podcast called “Spittin’ Chiclets”, while discussing his wife and Kathryn Tappen, a coworker,

“I’m swimming with my wife and Kathryn, and they’ve got their bikinis on, and they look fuckin’ smokin. Ass and boobs everywhere. It’s great.”

I suppose I should mention by way of context that sports fans do not listen to ex-hockey players  blather on “Barstool Sports” to be enlightened on the writings of Marcel Proust. Nonetheless, NBC quickly suspended Roenick, and though he issued an apology, his NBC supervisor, Sam Flood, subsequently informed him that he was fired.

[Notice of Correction: I originally wrote that Barstool Sports was an NBC production, It isn’t. So Roenick was fired for comments made when he was not under the auspices of NBC.]

What sparked the lawsuit now was the absence of any discipline levied by NBC sports after NBC Sports commentators Tara Lipinski and Johnny Weir participated this May in a leering promotional video for the At-Home Variety Show on the Peacock streaming service, joined by “Pitch Perfect” actors Elizabeth Banks and John Michael Higgins. Continue reading

Ingratitude, Racism And Statue Toppling At The Asian Art Museum

I’ll begin with the ethics conclusion, and show how we get there.

If your organization, institution, or nation owes its existence to an individual that hindsight-wielding critics want to erase, your choice is to tell them to get lost while continuing to officially recognize the debt such organization, institution, or nation  owes to that individual, or to dissolve the entity. Recognizing in some form the fact that a founder has blemishes on his or her past may be justified and practical. Continuing to benefit from that founder’s actions while metaphorically kicking him or her in the teeth, however, is unethical and, in fact, despicable.

Thus we arrive at the current controversy at the Asian Art Museum  in San Francisco. The focus of the mess is the bust of Adrian Brundage you see above. Brundage is most remembered as the long-time (twenty years) President of the International Olympic Committee (IOC), and most reviled for his decision not to cancel the Munich Games in 1972 after the terrorist attack on the Israeli team in 1972. (I agreed with him then, incidentally, and still believe that he was correct, and courageous, in his decision.) Brundage also, however, created the Asian Art Museum, which is the centerpiece of San Francisco’s Civic Center Plaza, and which Brundage gave to the city in 1966 to house his fabulous personal collection of approximately 8,000 art pieces.

The New York Times story about the emerging controversy at the museum begins, “For 48 years, visitors to this city’s Asian Art Museum have had to pass the bust of Avery Brundage.” That’s right, they “had” to pass that bust because what they were coming to see belonged to Avery Brundage, the museum’s collection was his gift, and it was and is appropriate for that to be respected and acknowledged.

Given an opportunity by the zeitgeist of the George Floyd Freakout, however, the museum’s director and chief executive, Jay Xu, announced to a meeting of the board and commissioners in June that he was having Brundage’s bust  removed. There are two reasons given in the article. One is that Brundage was accused of being a Nazi sympathizer and anti-Semitic (with the decision not to stop the 1972 Olympics being cited as a prime piece of evidence for the latter), and that the museum he created “presents Asian art from a mostly white perspective.”

As for the last complaint, I will characterize it this way: it’s racism, pure and straight.

The George Floyd Freakout is being used to justify a national effort to “Get whitey,” and this disgusting outbreak of anti-white hatred (that so many white Americans are accepting with the meek submission and hollowed out character of post rats-in-his-face Winston Smith) will not end until sufficient numbers of the rational label it what it is: opportunistic hate and racism.

The museum presents Asian art from a “mostly white perspective”  because the museum’s collection was originally created by a  collector of Asian Art who was white. That does not justify an indictment of the collection, and if an Asian-American wants to establish a museum that reflects Asian art from a mostly Asian-American  perspective—not an Asian perspective now, be consistent, you racists!—then that Asian-American is welcome to spend millions on his or her own collection,  give it to the city, and see if anybody wants to see it. Continue reading

Goya Ethics

(Yes it’s unethical, but that photo just cracks me up.)

The United States Office of Government Ethics, which has the responsibility of “preventing conflicts of interest in the executive branch,” has among its guidelines ,

“Executive branch employees may not use their Government positions to suggest that the agency or any part of the executive branch endorses an organization (including a nonprofit organization), product, service, or person.”

The provision is clear, and I think obviously, necessary. Yet after anti-Trump zealots announced a boycott of Goya, the largest Hispanic-owned company in the U.S., after the company’s CEO Robert Unanue praised President Donald Trump in a Rose Garden event last week, the First Family went to extraordinary—and unethical—lengths to support the “buycott”  that conservative groups launched in response.

First, White House adviser Ivanka Trump posted a photo of herself holding a can of Goya black beans this week, captioning it, “If it’s Goya, it has to be good” along with the  translation, “Si es Goya, tiene que ser bueno.”

Continue reading

Ethics Observations On The National Museum of African American History and Culture’s Retreat

The Smithsonian’s National Museum of African American History and Culture (NMAAHC) endured only a day of searing criticism before it removed its racist chart on “whiteness” from  its website. The site replaced the graphic, which Ethics Alarms reproduced here and here and never wants to see again, with this statement:

At the National Museum of African American History and Culture, we believe that any productive conversation on race must start with honesty, respect for others, and an openness to ideas and information that provide new perspectives. In that context, we recently unveiled “Talking About Race,” an online portal providing research, studies, and other academic materials from the fields of history, education, psychology, and human development.Our goal in doing so was to contribute to a discussion on this vitally important subject that millions of Americans are grappling with. Since yesterday, certain content in the “Talking About Race” portal has been the subject of questions that we have taken seriously. We have listened to public sentiment and have removed a chart that does not contribute to the productive discussion we had intended. The site’s intent and purpose are to foster and cultivate conversations that are respectful and constructive and provide increased understanding. As an educational institution, we value meaningful dialogue and believe that we are stronger when we can pause, listen, and reflect—even when it challenges us to reconsider our approach. We hope that this portal will be an ever-evolving place that will continue to grow, develop, and ensure that we listen to one another in a spirit of civility and common cause.

Observations: Continue reading

Comment Of The Day: “KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture”

After a brief pause in eligible Comments of the Day, I am suddenly inundated with candidates, with blogging veteran Glenn Logan at the fore with two more to follow on his recent post. These, and another non-Logan COTD on the runway, were sparked by the Ethics Alarms post about the above content on a Smithsonian website, which threatens all records for “well-intentioned “racial stereotyping.

Here’s Glenn’s Comment of the Day #2 of three, (with the next coming up later today. Three is a row is a record!) on the post, “KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture”: Continue reading

Morning Ethics Warm-Up, 7/16/2020: Dreadlocks, Kareem, Scrabble And “Political Slogan? What Political Slogan?”

1. This Morning’s Grovel: A white Seattle hairdresser apologized profusely for daring to wear dreadlocks. The key quote: “I have come to understand—far too belatedly—that my hairstyle is harmful.”

To lightly paraphrase Orwell: ‘She loved Big Brother.’

It’s hard to work up any sympathy for people like Irene—weak, ignorant, unwilling to stand up for basic  human rights, like being able to wear your hair any damn way you want to. This is yet another of the one-way “rules” that are being delivered by edict as an alleged remedy for “systemic racism”: Blacks can do anything they want to, whites are severely limited. The hair rules: black women can straighten their hair, dye it blonde, adopt any style the choose as a method of self expression, but a white woman who chooses dreadlocks has “harmful hair.”

Those who won’t stand up for their own liberties deserve to lose them. Irene is a fool, and betraying the values of her country. Continue reading

KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture

Now this  is res ipsa loquitur.

My head exploded when I saw what you will see below, so you are warned. The racist chart  is from the anti-white section of  the  Smithsonian’s National Museum of African American History and Culture’s  web page.

The page and its agitprop are also anti-black: hard work, punctuality, believing in cause and effect, “rational thinking,” respect for authority, and civility  are all manifestations of “whiteness”, according to the museum. Writes Rod Dreher, obviously post head-explosion…

Did David Duke write this stuff? It’s crazy! If a white man said that black people are lazy, can’t keep to a schedule, have no respect for authority, can’t think straight, are rude, etc. — he would be rightly criticized as racist. But there it is, at the taxpayer-funded National Museum of African American History and Culture. Why? Why do we pay for this racist propaganda? …

The museum teaches black people that being on time for work is racist oppression. Don’t believe me? Look. … I can’t get over this. If you assume that everything these curators say below is true, then you can explain a great deal of the chronic problems within black America. What kind of neighborhood would you expect to have if most of the people in it devalued hard work, rejected the idea that they needed to be on time, refused to defer gratification, did not respect authority, sought out conflict, laughed at politeness, rejected the traditional family model, and so forth? You’d have communities that were beset by crime and generational poverty, without the cultural tools to overcome the chaos. There are plenty of white people in this country who live by similar rules — and they’re chronically poor too.

Hold on to your skull! Here is the chart: Continue reading

My Georgetown Diploma Joins My Harvard Diploma In Facing The Wall In Shame

Georgetown has apparently programmed its victims of a liberal education to not only believe in the suppression of free speech and dissent from the majority, but to engage in it. Nice.

By the way, Georgetown, the backs of Harvard’s diplomas are much more attractive than the backs of yours.

Georgetown University junior Billy Torgerson received a formal condemnation from  the Georgetown University Student Association as well as a call for the college to investigate him for “bias” based on a column, “A Nation Of Virtuous Individuals,” that he authored and posted on his own website.

That’s all you need to know, really. It is none of the Student Association’s business what a Georgetown student posts online on his own forum. The principle articulated in the recent Supreme Court case B.L v. Mahanoy Area School District holds even if the action of a student group doesn’t strictly constitute what the opinion prohibits. This is chilling free speech.

Torgerson’s primary “crime” seems to be that he opposes another recent SCOTUS ruling,  Bostock v. Clayton County, which extended protections under Title VII of the Civil Rights Act of 1964 to transgender individuals.  I think he’s wrong, but Torgerson’s position is similar to that of the  three dissenting judges  and many conservative analysts. And it doesn’t matter if he’s wrong. He has every right to state his opinion without being punished. Continue reading