Ethics Observations On Kayla Eubanks, The Southwest Airlines Flying Slob

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Chicago’s Kayla Eubanks is indignant because Southwest Airlines staff refused to allow her to board her flight, saying her attire was not fit for travel. low-cut top was “lewd, obscene, and offensive.”  Eventually a pilot gave her a cover-up T-shirt so she could get on the plane. Once in the air, she took it off.

Eubanks complained via Twitter, writing, “Y’all I was KICKED OFF my @SouthwestAir flight because my boobs are ‘lewd, obscene, and offensive.’ I was told that passengers may look at me in my attire and be offended.” In her following tweets, Kayla wrote,

“I really wanna know why @SouthwestAir is policing my clothes like this. How will my shirt impact my flight, for myself, the other passengers, or even the pilot?…Y’all have a dress code for CUSTOMERS who pay to get on a plane?…It’s the constant policing of women’s bodies for me.”

Posting a  video of one of Southwest’s female gate employees fumbling to answer Eubanks’ questions about a dress code, Kayla added. “[she] practically did cartwheels to ensure that I wouldn’t get on this plane y’all. I was held at the gate for 30 minutes because of my shirt.”  On the video, Kayla can be heard telling the sympathetic pilot who eventually loaned her the shirt, “I have to leave my tits at home? Obviously not.”

Stay classy, Kayla.

Following the flap, in which the mainstream media sympathizes with Eubanks, a spokesperson for Southwest Airlines told the New York Post that the company reached out to Eubanks directly to issue an apology, and refunded Eubanks’ fare

“Regarding our policies, each situation is very different, and our employees are responsible for following our Contract of Carriage, available on our website,” the spokesperson explained. “According to the material posted online, the company ‘may, in its sole discretion, refuse to transport, or may remove from an aircraft at any point,’ a passenger who engages ‘in lewd, obscene, or patently offensive behavior, including wearing clothes that are lewd, obscene, or patently offensive.”

Observations:

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Ethics Hero: New York Times Op-Ed Columnist Bret Stephens

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Bret Stephens has been criticized on this site for regularly failing his alleged assignment of bringing a principled conservative voice to the New York Times op-ed pages, and seeming to yield to the strongly biased culture of the uenthical paper that employs him.

In his most recent column, however Stephens courageously and unblinkingly calls out the New York Times’ controversial “1619 Project” for what it is—dishonest, misleading, falsified—oh, let’s not mince words— crap. [Ethics Alarms discussed the “1619 Project” and its unethical creator, Times reporter and race activist Nikole Hannah-Jones, here] Josh Blackmon, for example, writing at Reason, thinks that the columnist metaphorically biting the hand that feeds him will mark the beginning of the end of Stephens at the Times. After all, a Times editor recently resigned after the paper’s Jacobins called for his head for daring to allow a Republican Senator to voice an opinion that went against the Times’ view of the world. Stephens has gone far, far beyond that.

He knows it, too. At the end of his dissection of the bad history and unethical journalism that disgracefully won the Times a Pulitzer Prize, the columnist writes,

For obvious reasons, I’ve thought long and hard about the ethics of writing this essay. On the one hand, outside of exceptional circumstances, it’s bad practice to openly criticize the work of one’s colleagues. We bat for the same team and owe one another collegial respect.On the other, the 1619 Project has become, partly by its design and partly because of avoidable mistakes, a focal point of the kind of intense national debate that columnists are supposed to cover, and that is being widely written about outside The Times.

To avoid writing about it on account of the first scruple is to be derelict in our responsibility toward the second.All the more so as journalists, in the United States and abroad, come under relentless political assault from critics who accuse us of being fake, biased, partisan and an arm of the radical left. Many of these attacks are baseless. Some of them are not. Through its overreach, the 1619 Project has given critics of The Times a gift.

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Ethics Re-Imagined, 10/11/2020: The Day That Will Live In Ethics Infamy

No, I can’t let this pass.

1. Has any song in recorded history made so many so stupid? On October 11, 1971, John Lennon’s “Imagine” was released. Many sources call the facile ode to Fantasyland “one of the most influential songs of the 20th century.” Sadly, that’s probably true. Lennon said the song’s lyrics were heavily influenced by Lennon’s wife, Yoko Ono. That figures. (Earlier this year, “Imagine” came under fire in this post.)

Lennon’s lyrics are like crack for the unformed, naïve or perpetually infantile mind, and have served as—what? Inspiration can’t be the right word—for dewy-eyed, smug, condescending and even violent progressives for decades. In a lazy 2019 article titled, “The Legacy of John Lennon’s Song “Imagine,” Laurie Ulster writes,

The impact of the song is unquestionable. But disguised within its message of peace and love and its flowing piano melody is a collection of edgy, “dangerous” ideas that challenge society as we know it. The song that has become an anthem all over the world is actually full of controversial lyrics and radical ideas. Lennon once called it “’Working Class Hero’ for conservatives,” and indeed, it challenges the status quo at its most fundamental.

No, the lyrics challenge common sense, reality and logic as we have always known it, and it doesn’t really challenge anything. Nations aren’t going anywhere; property isn’t going to disappear, humanity is not going to join hands and chant together in a “brotherhood/sisterhood” of man as the singer once pandered in a live performance, blowing the integrity of the song while forgetting that if he was going to do that, the line really had to be  a “brotherhood/sisterhood of humankind” or something else that wouldn’t rhyme with the previous line, which ended in “can.”

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Comment Of The Day: “Ten Questions About The Lakewood High School Football Game Incident”

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Once again, as I can’t resist doing periodically, I’m publishing a dinged comment as a Comment of the Day to illustrate the kind of thinking and debating technique that goes on among the addled, biased, and ethics-free.

This one is from someone with the ironic email handle “rightwing moron” (he is, it seems, a “woke” moron) objecting to the position expressed here that schools must not take political positions and inflict them on their students, parents and football game spectators, because doing so is an abuse of position, function and power, and because those who operate schools are (theoretically) trained as educators, not public policy experts and political scientists, and have no right to engage in indoctrination.  I don’t consider that assessment to be seriously debatable, but I am eager to read intelligent, well-argued, articulate and civil attempts.

This is the first of two comments by whoever this jerk is; both violated Ethics Alarms comment standards. The second was more of the same fallacies and typical emotion-based, ignorant reasoning, so it was sent to Spam Hell. Whoever this was didn’t comprehend the essay in question at all. As is usually the case in such screeds (I get a lot of them), the writer presumes that as long as he, she or it agrees with a political view, it is proper and ethical to unilaterally hijack any activity or function to advance it.

I’ll be back briefly at the end to poke some holes, not because any readers of average intelligence won’t see what’s wrong with this mess on their own, but because I enjoy the excercise, like the way I enjoy walking on bubble wrap. I didn’t clean the rant up the way I edit respectable COTDs, because the lack of care the comment exhibits is of a piece with its quality generally.

Here is the Comment of the Day on the post, “Ten Questions About The Lakewood High School Football Game Incident”:

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Ethics Dunce: Yelp

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Oh yes, this will work out well.

Yelp,  the online review company, has announced its plan for a submissive grovel to Black Lives Matter and an atack on “systemic racism”: it will post alerts that a business has been accused of racism. The key word is “accused.” The company claims that following the “alert,” it will investigate the claims, but that is absurd: Yelp has neither the staff, expertise nor credibility, and definitely not the authority or access, to investigate such accusations.

Yelp has had well-documented problems with reviews from angry employees, fake customers, and real customers with dubious complaints or sinister agendas. However, in the corporate rush to show alliance with the mostly-peaceful protesters savaging so many cities, Yelp has decided to go all in and buy a ticket on the George Floyd Ethics Train Wreck. From the announcement of the new race-baiting initiative:

 “Over the summer, Yelp rolled out a number of initiatives to help users find and support Black-owned businesses. We partnered with My Black Receipt on the launch of a Black-owned business attribute and joined the 15 Percent Pledge to further amplify Black-owned businesses. While searches for Black-owned businesses surged on Yelp, so did the volume of reviews warning users of racist behavior at businesses. Today, in response to this, we will now place a distinct Consumer Alert on business pages to caution people about businesses that may be associated with overtly racist actions.”

Here is the “alert”:

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The Gallup Poll Is Wrong, Or The Others Must Be, Right?

When President Trump tweeted yesterday about a poll that found a majority of American felt they were better off today than four years ago when Obama’s Camelot was still being hailed by the troubadours (that’s my wording—I don’t think “troubadours”  is in the President’s speaking and tweeting vocabulary), I immediately thought, “Oh God, here’s another spin-job misrepresentation that will be the selected target of the Trump-Haters for the rest of the week.” Such a poll had to come from Mrs. Blapp’s 6th grade class, or maybe Steve Bannon has started a polling service.

I was wrong. The poll came from Gallup, one of the most reliable and objective of the pollsters, and Trump described it accurately. Gallup’s Sept. 14-28 poll found that 56% of U.S. registered voters believe they are better off now under President Trump compared to four years ago. Not only that, the percentage is the highest by far of that registered during a President’s reelection campaign since Ronald Reagan posed the question as the proper way to measure a President’s success in his 1980 campaign to defeat Jimmy Carter.

Gallup better

Now, since I am officially skeptical of polls, and particularly so since the 2016 polling debacle, and even more so when the organizations paying for and holding the polls are committed to removing Donald Trump from the Presidency, I am loathe to use a poll to debunk a poll. But how in the world can Gallup’s numbers be reconciled with the poll-driven narrative that Joe Biden is headed for a landslide, or even a narrow victory? Voters do not typically or, as far as I can recall, ever, vote against perceived self-interest. If 56% of the electorate really believe that they have fared better under President Trump than under the Democratic Messiah, it makes no sense to predict that they will vote to go back to the bad old days. Moreover, the poll was taken in the midst of widespread scaremongering over the pandemic, and as the thriving economy that the President had pointed to as his major achievement lays in ruins from the effects of the seven month lockdown. Even in the midst of this, 56% think they are better off.

How can this be explained? I can imagine some theories:

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Columbus Day Weekend Ethics Warm-Up, 10/10/2020: Dumb Tweets, Rigged Reviews, Insane Academics, And Police Conduct Worth Protesting

Is it that time again already? Great, now we have to listen to more Statue Toppling rants from anti-Columbus zealots who don’t think changing the world unquestionably for the better and setting in motion the chain of events that allowed the United States to exist is worthy of a day of recognition.

1. I confess. Although I bailed out of following baseball this “season” when MLB’s groveling to Black Lives Matter became too much to bear, I do check the scores now and then, and thus am taking some pleasure in the fact that the New York Yankees were eliminated in the best of five Divisional Play-offs by the Tampa Bay Rays, making it eleven straight years since the Bronx Bombers got to the World Series.

2. Idiotic tweets that did not come from the White House. Whether one believes the Doomsday Polls or not, it is beyond question that President Trump’s prospects this November would be far brighter were he able to resist sending out dumb tweets, many of which I have highlighted here. (There is a Trump Tweets tag, if you want to reminisce. Like so many of his regrettable proclivities, this one is apparently contagious. Powerline recently flagged three head-exploders:

  • From Washington governor Jay Inslee:

Inslee tweet

  • From former CIA director and Deep State Trump saboteur John Brennan:

Brennan Tweet

Those who visit here often know that by Ethics Alarms standard, quoting “Imagine” as if this infantile doggerel by John Lennon is profound automatically wins any “Dumbest” competition.

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From The “Nah, There’s No Mainstream Media Bias!” Files…White Male Conservative Smirk Bad, Black Female Democrat Smirk Good!

The definition of a “smirk”, I see as I peruse several dictionary definitions, is a condescending, smug, conceited or silly smile, universally regarded as obnoxious, rude and annoying. Thus the expression caught in an instant on the face of a teenage Catholic school student as a Native American activist intentionally confronted him, blocked his way and banged his drum within inches of his face was deemed by multiple commentators and pundits from progressive news organizations—that is to say, news organizations—to make the kid’s face “punchable.”

Examination of the video revealed that Nick Sandmann was not, in fact, smirking at all, but smiling awkwardly because human beings don’t have appropriate expressions pre-programmed for “old Indian jerk starts chanting and beating a drum in your face without any discernible reason when you have no clear avenue of escape.”

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Mid-Day Ethics Milestones, 10/9/2020: Cal Cunningham And Other Assholes

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1. As John McClain (Bruce Willis) says after he drops a dead bad guy on a police car prompting a hail of automatic weapon fire, “Welcome to the party, pal!”

Blogger Ann Althouse writes today, announcing that she will no longer subscribe to Google adwords,

Email received today from Google was the last straw for me:

“In the last 24 hours: New violations were detected. As a result, ad serving has been restricted or disabled on pages where these violations of the AdSense Program Policies were found. To resolve the issues, you can either remove the violating content and request a review, or remove the ad code from the violating pages. 4 pages were reviewed at your request and found to be non-compliant with our policies at the time of the review. Ad serving continues to be restricted or disabled on those pages.”

I’m tired of checking to see what’s supposedly a violation. I get so many of these and they’re often posts that are nothing but a quote from a commentator in the NYT. But to see that the review didn’t okay these pages… it’s just mind-bending. I can’t waste my energy dealing with this bullshit. In every case, I’m told that I’ve violated their policy with “Dangerous or derogatory content,” which I find insulting.

It’s more than insulting, Ann. It is evidence of how the big tech and communications companies are assisting in content-based censorship and harassment to assist the political objectives of the Left. Your commentary is just a little too balanced. Shape up. Big Brother is watching.

Related: Here’s a true conservative blogger who reports being censored by Google.

2. Below is a photo of Brandon Caserta, the alleged ring-leader of a foiled plot to kidnap Michigan’s dictatorial governor, Democrat Gretchen Whitmer.

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Whitmer and Joe Biden, among others, have blamed the plot on President Trump. Note the flag behind him. Caserta is an anarchist. “ By you participating in the government, you’re participating in slavery dude for everyone else.” he wrote. He says voting for anyone “is admitting that you believe in the legitimacy of authority which means you believe in the legitimacy of slavery.”

Accusing this guy of being a Trump acolyte and implying that the President in any way prompted his activities is exactly the kind of wild, baseless, irresponsible speculation that the news media condemns when Trump engages in it. Democrats, however, can level evidence-free accusations with impunity. Biden owes Trump an apology, and if he were the decent, fair, nice guy he pretends to be, he would have apologized already.

Assholes.

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On “The Iceman Cometh”

It was this day, October 9, in 1946 that the greatest play of the greatest American playwright premiered. The playwright was Eugene O’Neill, and the drama was “The Iceman Cometh.” (Of course, that’s just my assessment, though I am not alone. I rate it the greatest non-Shakespeare play in the English language.) Like almost all O’Neill works it is an exploration of ethics. A traveling salesman, a professional liar, returns to a dive where he is worshiped by its drunken denizens to change their lives by forcing each of them to confront reality rather than avoid it using rationalizations, delusions and drink.

Few Americans have seen “The Iceman Cometh,” largely because it is seldom produced. The original version is well over four hours long, and in my view, every minute cut diminishes the play’s message and power. (The film version above was cut significantly) The play also requires a large ensemble cast of unusual talent and intelligence. It’s so much easier and safer to produce “To Kill A Mockingbird.”

Unfortunately, O’Neill’s plays are meant to be experienced on stage, and on stage, they work. Reading O’Neill is a chore, and another reason his works are not produced enough is that directors, producers and playreading committees can’t get past the text. O’Neill didn’t help by often writing dialogue in dialect. It’s tough going, though no more so than Shakespeare. (You can read the play here.)

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