History

Trump Derangement Update, 7/30/26

/ Jack Marshall / 13 Comments

One of my oldest (in both senses of the word) friends is a history professor at a major university here in the D.C. area. The things he posts on Facebook are head-exploding: like the mutation of his former rational self that EA expatriate Curmie has morphed into under the gamma rays of Trump Derangement, my scholarly friend frequently makes arguments I would expect from Ben Stiller’s character in “Tropic Thunder.”

Today he posted several defenses of Anthony Fauci, who is literally indefensible, comparing Rand Paul’s correct, factual and fair evisceration of the villain to a Soviet show-trial. Before that, the Professor posted with approval the following attack on the late Lindsay Graham by professional snot Andy Borowitz. I knew Andy in college. He was a standard issue Harvard Lampoon guy, overly convinced of his own wit and a sucker for a cheap shot. Whatever formula he developed over the years obviously works: he’s created and written successful sit-coms, has been a successful stand-up comic, and his satirical columns have been syndicated all over. That his major employers have been The Huffington Post, The Daily Beast, and The New Yorker should tell you all you need to know about Andy’s biases, and partially explains this effort which my Trump Deranged friend found so trenchant.

I think I’ll footnote it to make my commentary more accessible…

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The Smithsonian vs. The USA

/ Jack Marshall / 9 Comments

EA discussed “ideological capture” earlier today focusing on the law and academia, but as Americans who were paying attention (and who don’t rely on the Axis news media for the news), we were introduced last week to the desperate straits of the Smithsonian Institution, saddled with a woke ninny who gives “land acknowledgments” at every opportunity, and who pretended, under oath, not to know just how obsessed with promoting racial division and public contempt for their own nation the museum under her charge is.

On July 4th, the White House released a thorough and nausea-producing report on just how much “ideological capture” has infected the Smithsonian’s National Museum of American History (NMAH). Titled SAVING AMERICA’S STORY: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage, the report, which you can and should read here, presents a damning case.

I had written earlier about this monstrosity,

…on the Smithsonian website, but there is so, so much more. For example, here is the Smithsonian insinuating, in text-book fake news fashion, that Ben Franklin may have used “enslaved persons” (the new, approved woke-speak for “slaves”) in his research, though there is absolutely no evidence of it.

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‘Nah, The Smithsonian Isn’t Run By A Woke, Fanatic, Anti-American Cabal!’

/ Jack Marshall / 6 Comments

Earlier this week, EA discussed how Rep. Brandon Gill exposed the horrifying wokey nonsense the head of the Smithsonian’s National Museum of American History has inflicted on the museum during her tenure. It turns out that I was too kind, and that this silly, biased and indoctrinated woman is even more intolerable than I thought.

Before she was eviscerated by Gill, Rep. Tim Burchette’s introduction was res ipsa loquitur stuff, so inherently damning that further questioning of Anthea Hartig was unnecessary. The pièce de résistance comes at the 1;35 mark, when we get a montage of Hartig dutifully giving prayer-like “land acknowledgment” grovels to Native American activists. The list is long, but near the top of mockery-requiring leftist rituals that mark practitioners as unworthy of trust, power or responsibility has to be these ahistorical claims that the United States is an illegitimate sovereignty built on “stolen lands.”

It is bad history, bad law and bad logic, transparent virtue signaling to those who don’t know what virtue is. If someone is really so shattered by working and living on “stolen lands” nothing stops such an addled individual from tracking down some member of the Patawippumkokavackimminy tribe and handing over the keys to his or her home. Hartig won’t do that, of course, because she’s either a hypocrite, a pandering fake or more likely both.

Believing it is appropriate for a representative of the U.S.’s national museum to begin every speech or public appearance emphasizing one of our nation’s two alleged “original sins” as if that is the defining feature of the nation should have marked Hartig for swift removal long ago—in fact, how did such a fool get hired in the first place? I can on;y conclude that it is because her political party likes anti-Americanism and wants our country to be seen as a villain, not just by the rest of the world, but by its own citizens.

Another post script on presentation skills: I hate to keep harping on this, but people whose living involves communication have an obligation to learn how to communicate. Burchette is terrible; I found it hard to focus on his content, so annoying was his vocal placement, droning tone and lack of engagement with the camera. Again, this isn’t hard to fix; all it requires is the will to fix it. I resent having to listen to public figures like Burchette. He is either too lazy or stupid to make an effort to help people understand and focus on what he is saying.

The Horror. The President Is Putting Statues Of Founders In The Rose Garden

/ Jack Marshall / 10 Comments

President Donald Trump had a statue of Thomas Jefferson placed in the Rose Garden last week, bringing to five the number of sculptures he has added this year. George Washington, Benjamin Franklin and Alexander Hamilton, and a sculpture honoring Revolutionary War soldiers preceded the one honoring our third President and the author of the Declaration of Independence.

Naturally the Washington Post is sneering at the project, even going to the trouble of finding an expert, Maxwell Anderson, the former president of the Association of Art Museum Directors, to sniff that the statues statues are of “negligible artistic value.” You know, not like the Obama Presidential Library…

…or the obscene thing supposedly representing the Kings embracing

…or the King Memorial, which makes me think of Han Solo hanging on Jabba the Hutt’s wall.

The Jefferson statue is of “negligible artistic value” because President Trump selected it, just as the Reflecting Pool upgrade has to be mocked and sabotaged because it is this President’s project. Trump Derangement is pure Cognitive Dissonance Scale craziness: the President’s endorsement of dogs—fortunately he is the only POTUS in memory who hasn’t put a dog in the White House as a political prop—would have much of the Left siding with Mamdani’s anti-canine Muslims.

The statues are also irritants to the Axis and pals because the Rose Garden sculptures that arrived before Tom’s are on loan from Harland Crow, the conservative billionaire who has lavished gifts on Clarence Thomas. That’s also cognitive dissonance at work where it doesn’t belong. The owner of artwork has no relevance to the quality of the art, just as the character of the artist is irrelevant to any assessment of the artist’s work. There should be nothing controversial about the White House honoring patriots and Founders on its grounds, and there isn’t. No Chief Executive in our history has been so absurdly attacked over non-substantive matters. President Trump’s real offense is that he dared to persevere into the headwinds of presumed leftist dominance and prevailed. How dare he?

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Ethics Dunces: Any Conservative Who Says “Joe McCarthy Was Right.”

/ Jack Marshall / 9 Comments

Today Stephen Kruiser, a conservative gadfly, began his daily with “The GOP Midterm Theme Should Be ‘Joe McCarthy Was Right'” and later writes, “Democrats and their flying monkeys in the mainstream media are… still badmouthing Joe McCarthy after seven decades and he was right about everything.”

That is offensive and ignorant. Ann Coulter has made similar claims over the years. Joe McCarthy was right about just one thing: there were Communists and communist sympathizers in the U.S. government then and there probably are now. He was wrong in his methods, he was dishonest in his tactics, he was hostile to freedom of speech and freedom of thought, he was an anti-Semite and an anti-gay bigot, he weaponized guilt by association, and his response to criticism or opposition was exactly the same as so many minority politicians and women like Kamala Harris, Jasmine Crockett and Alexandria Ocasio-Cortez reflexively respond to opposition today. They cry “Racist!” or “Sexist!” Joe cried “Communist sympathizer!” It’s the same tactic.

Senator McCarthy waved papers in the air that he said contained confirmed Communists, but never revealed the names. The consensus is that the papers were probably blank. He wanted all homosexuals fired from sensitive positions because they were, he said, vulnerable to blackmail by Communist agents seeking to recruit them to undermine the United States. (So was being an alcoholic, like Joe.) He cynically exploited Cold War tensions to build his political influence and power, and aligned himself with the same forces in the nation that created blacklists.

McCarthy was the epitome of the patriotic demagogue. “McCarthyism,” which denotes the practice of wielding unsubstantiated accusations and the defamation of political opponents through calculated fear-mongering, was a fair description of the Senator’s methods, and is a perfect description of what the Left’s Axis of Unethical Conduct has been practicing since 2016. You know, like…

Extolling Joe McCarthy, an all-time Ethics Villain and a blight on our political history, is as repulsive as defending Graham Platner, Tim Walz or New York’s Mayor Mamdani. It is historically and ethically ignorant.

Post Script: As much as I view “iconic” Washington Post cartoonist Herb Block as an over-rated partisan hack, he certainly had Joe McCarthy pegged early on. “Herblock” habitually portrayed McCarthy with a bucket of tar and a dripping paint brush, a vivid image of his methods.

Rep. Brandon Gill Exposes and Embarrasses The Woke Propagandist Who Runs The Smithsonian: GOOD!

/ Jack Marshall / 9 Comments

These exchanges are hard to watch unless you enjoy watching dishonest, woke propagandists being publicly exposed as the disgraces to their professions and the enemies of democracy that they are.

When the White House announced that it was reviewing Smithsonian exhibits for left-wing bias about a year ago, I wrote here (in part):

“There can be little question that the current curators of the Smithsonian museums have used their positions to promote woke agenda items and to manipulate the exhibits to try to indoctrinate museum visitors. Most of what the Federalist flagged as well as the White House’s items are genuinely objectionable…For example, Ibram X. Kendi is a race-hustler, and his presence anywhere in the museums is signature significance.

“Does the Pride Flag have genuine historical significance? I suppose so. But emphasizing Ben Franklin’s early slave-holding stinks of the “1619 Project”: by the time that he was a Founder, Ben had become a vocal foe of slavery.

“I believe that a nation’s museums should err on the side of emphasizing the positive aspect of its history and culture, but that’s easier to say than to execute. Substituting one extreme bias for another is not a solution. But as I wrote in the previous post on this topic, I think finding an ethical balance will be a futile exercise.”

In a previous post, I had written,

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Return To “The Odyssey”: Ethics-wise This Is All I Can Say Now, So I Guess I’m Going To Have To See The Damn Thing…[EXPANDED]

/ Jack Marshall / 20 Comments

Above is Ben Shapiro’s podcast review of the movie conservative commentators and pundits declared woke and offensive long before it was released. Many also circulated false information to support their position, resulting in this Ethics Alarms post from May, which, thanks to a reminder from Ethics Alarms “gotcha!” master Neil Dorr, I returned to yesterday with a correction. All the reviews are out now, and the majority of them are raves, which doesn’t prove anything in my metaphorical book. (“The Crying Game” got raves. “Don’t Look Now!” got raves. “The Substance” got raves.) I do find Shapiro’s review above brave and encouraging, however. He’s a well known conservative activist and commentator and the creator of the Daily Wire, and still pronounced the film to be a) excellent and b) largely conservative in its perspective. Ben gets ethics bonus points for not following the herd.

Tangent: Ben does not get points for his delivery. Cowabunga, how can someone be peddling a podcast without taking the time to learn how to speak distinctly and clearly? Shapiro doesn’t open his mouth sufficiently when he speaks, he places his voice in his sinuses, and he speaks way, way too fast. I could make Ben three times as effective in a two-hour coaching session. Why doesn’t someone tell him? I found listening to his review excruciating.

But I digress. Christopher Nolan is a cult director who is intermittently daring and regarded as an auteur rather than an ideologue. His initially fame flowed from his Batman films, which posed provocative ethics scenarios. Personally, I thought “Dunkirk” was an inexcusable botch of an important historical film topic, and I haven’t forgiven him for it yet. I was still thrilled to learn that he was tackling Homer’s second-best story, however. “The Odyssey” has long been obscured by Virgil’s rip-off starring Odysseus mimic Ulysses along with stop-action films confounding “Odyssey” with the voyages of Sinbad.

Shapiro isn’t the only conservative critic to undermine the Right’s narrative that the movie is more woke propaganda: Christian Toto, the rightish Hollywood critic, also praised the movie. On the other side, several reliably progressive publications have slammed it. TIME’s critic called the movie an “eye-glazing dud of a movie.” The Economist—not that I care what that Eurocentric leftist pseudo-intellectual rag says about anything,  called Nolan’s film “a very silly adaptation of “The Odyssey”, and was particularly annoyed by the imposition of modern attitudes and conduct on the story. Anachronisms bother me too, but they are so frequent in period films that I tend to give them a pass unless they are really intrusive.

I now have enough information to make some ethics calls before I see the film. I have only paid money to see three films in a theater since Grace died, a) because I am in cash-flow hell, b) because I hate seeing movies alone and c) because seeing virtue-signaling Northern Virginia audiences wearing masks makes me crazy. I will see “The Odyssey,” however.

Ethics points:

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Ten Ethics Points On Trump’s “Prime Time Address”

/ Jack Marshall / 3 Comments

1. The President has gotten much better at delivering speeches from a teleprompter which means that he’s worked on it, something neither George W. Bush or John McCain had the commitment and diligence to do. Trump was always better when riffing, but that led into interminable, unfocused rants, like his infamous 2024 nomination acceptance speech. Last night’s speech was, for Trump, remarkably crisp, succinct, and well-delivered.

2. As he was starting off, making the speech feel like a State of the Union message, I could see in my mind’s eye all the “lies” that the Axis fact-checkers would complain about this morning. I wish the President didn’t have to describe everything he views as an accomplishment in hyperbolic terms, as a superlative: “the best,” “the greatest,” “the biggest.” Surely he must know that the habit automatically invites skepticism: if some achievement really was the best, Trump would have a difficult time getting anyone to believe it. Isn’t there an advisor, a friend, a supporter, someone who could tell him this is a self-defeating approach?

3. My vote for the most unethical hyperbole last night: “This country was dead.”

4. The President was pointed as he brought out into the open the Deep State sabotage and the mainstream media propaganda that has hindered both of his terms. Good.

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Ben Franklin’s Curse

/ Jack Marshall / 18 Comments

The House this week passed a measure, the Sunshine Protection Act, that would set America’s clocks to daylight saving time permanently once it clears the Senate and is signed into law by the President. The bill itself raises no ethics issues at all: it is the reactions to it and the reasons, real and alleged, for those reactions that ping ethics alarms.

The headline is tongue-in-cheek, incidentally. Most of my life I heard that Daylight Savings Time was Ben Franklin’s idea. Ben was an amazingly prolific innovator and out-of-the-box thinker, but he was not the originator of the practice, so we can neither blame him nor praise him. Another myth is that DST was implemented for the benefit of farmers. Actually, farmers have been one of the strongest opponents of DST because the factors that influence farming schedules, like dairy cattle’s readiness to be milked, are dictated by the sun, so clocks going back and forth just complicates things. In general, Retailers, sports, and tourism interests like daylight saving, while agricultural and evening-entertainment interests do not.

Personally, I just want one time in place all year, because the changeover is traumatic for me whenever it happens. I have a long list of screw-ups, missed deadlines and meetings on my record. I bet no year has ever passed without one.

Like so many policies, the Daylight Savings Time tradition has had and continues to have all manner of unintended consequences, and those are controversial too. There is some data that shows that crime and accidents are reduced by DST, but precise causation issues make such data inherently dubious. A 2017 analysis of 44 studies concluded that DST leads to electricity savings of 0.3%, but we now know, or should, we can’t trust studies because we can’t trust the reseachers who perform them. Ditto for a 2017 study in the American Economic Journal: Applied Economics that estimated that “the transition into DST caused over 30 deaths at a social cost of $275 million annually,” primarily by increasing sleep deprivation. Another study claimed that hospitals see a 24% increase in heart attacks and a 6% increase in fatal crashes each year when the time changes.

President Trump has advocated permanent Daylight Savings Time, so that’s enough for the Axis of Unethical Conduct to oppose it. Predictably, the Washington Post rushed to publish “Why standard time is better for your health than daylight saving time: A proposed bill would make daylight saving time permanent. But standard time is actually better for your body, according to science.”

According to science! Even the Post’s readers tended to agree that this take was hooey. A typical reaction:

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The 26th Indispensable Movie For Understanding American Culture

/ Jack Marshall / 3 Comments

The movie is “Little Big Man,” 1970’s very strange, sui generis, Western satire/drama anti-Vietnam film that visits Western movie tropes, warps history, and mixes horror with humor. I was second-guessing my leaving it out of “Twenty-Five Indispensable Movies For Understanding American Culture,” so I decided to watch it again.

Is it “Little Big Man”anti-American? I don’t know: the film certainly shows our culture’s admirable ability to engage in self-criticism and reflection fearlessly when it is called for. None of the other films on the list deal sufficiently with the U.S.’s conflicted feelings about Native Americans and their unjust but unavoidable fate. That’s too big an issue to leave off the list.